Half-hidden by forest and overshadowed by threatening peaks, Le Sommet has always been a sinister place. Long plagued by troubling rumors, the former abandoned sanatorium has since been renovated into a five-star minimalist hotel.
Arriving in the midst of a threatening storm, Elin immediately feels on edge–there’s something about the hotel that makes her nervous. And when they wake the following morning to discover Laure is missing, Elin must trust her instincts if they hope to find her. With the storm closing off all access to the hotel, the longer Laure stays missing, the more the remaining guests start to panic.
Elin is under pressure to find Laure, but no one has realized yet that another woman has gone missing. And she’s the only one who could have warned them just how much danger they are all in…From Penguin Random House
Sarah Pearse’s debut detective novel has serious flaws. While the story is atmospheric and icy, everything else falls flat. Motivations, not only those of the killer, but also those of Elin, are murky at best. Characters explore a landscape that had so much potential for creepiness, but I almost can’t even visualize the sanatorium.
All praise of this novel says it is eerie and full of setting, but I think this only rings true of the winter storm that surrounds the cast of characters throughout the novel. The sanatorium itself actually isn’t atmospheric at all. While there was so much potential to meld the winter storm with the feeling of the sanatorium, it doesn’t make it there. There is so much missed creepiness potential. I wasn’t afraid of a murderous serial killer in a sanatorium snowed in with victims who have no help from the outside. At all. That is a disappointment.
CHILLING! The Sanatorium by Sarah Pearse is an eerie, atmospheric novel that had me completely on the edge of my seat. Let’s set the mood. . . . You’re in a remote location—at a hotel—and there’s a snowstorm. The winds are howling, the snow is pelting in every direction, there’s a missing person, and a dead body shows up!– Reese Witherspoon
Characters are whiny, unwilling to take ownership of their actions, and make decisions that are not supported by our previous knowledge of the character. It is very clear this massive 400 page tome is Pearse’s first novel. It could have done with some editing.
Here are my feelings for the first third of the novel: huh, this is super slow. I like the wintery atmosphere and the mystery of who the killer is, but it sure is dragging. Why do I care about Elin’s weird proclivities? All of these characters are so one-dimensional. Should I give up on this? I can’t not finish this one — everyone says it’s so good! I’ll keep pushing on.
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The middle section of the novel: It is getting juicy. The narrative is picking up and more people are dying. I NEED to know who the killer is!
The last third of the novel: Come on. This book is so long. Just tell me who it is already! Red herring after red herring that doesn’t cause interest from the reader; it causes frustration. The reveal: really? And the killer’s motivation: REALLY? I get that we are in modern times, but why is this so preachy? As I closed the last page, I wished I’d never picked it up.
I give this one a 2. I did find some enjoyment out of the wintery atmosphere and the chase to find out who the murderer was, but overall this was a very disappointing experience. Sometimes these hyped up novels just don’t live up to it. Even if everyone is reading it, it still might not be good.
(2 / 5)
Sarah Moon is a stone-cold sorceress from Tennessee whose interests include serial killers, horror fiction, and the newest dystopian blockbuster. Sarah holds an M.A. in English Literature and an M.F.A. in Fiction Writing. She works as an English professor as well as a cemeterian. Sarah is most likely to cover horror in print including prose, poetry, and graphic forms. You can find her on Instagram @wellreadredhead18.
“In the distance, she heard her husband in the backyard call for her , but she was not that woman anymore, that mother and wife. She was Nightbitch, and she was fucking amazing. It seemed she had been waiting for this for a very, very long time.”
-pg 89, Nightbitch by Rachel Yoder
Nightbitch is the debut novel of Rachel Yoder about a stay-at-home mother coming to terms with the loneliness and brutality of motherhood. The main character, only referred to as The Mother, begins to undergo a frightening change as she sinks deeper into a depressive state. She transforms into Nightbitch, an animalistic creature full of anger, bloodlust, and freedom. The Mother must utilize the help of a strange book and a group of multi-level marketing mommies to harness her newfound strength before she loses herself or her family.
The novel is a stunning commentary on the everyday violence of motherhood centered within the context of werewolf and mystical woman mythos. The Mother spends much of the book contemplating her future and the abandonment of her dreams. Specifically, she grapples with the loss of her ability to create art, her longtime passion. On a larger scale, Nightbitch examines how many women are asked to stop being individuals after having children and only become mothers–existing only in the presence of their child. The message is clear, poignant, dark, and at times, hilarious. The prose and structure of the book are abnormal, however, it works with the overall messaging and plot.
As far as negatives go, Nightbitch was pretty ambiguous. This was by design, and created an aura of magical mysticism around many of the characters and events. The Mother is the definition of an unreliable narrator. However, towards the end of the book, I would have liked a little more clarity in what certain characters knew.
Nightbitch is a must read for any parent. As a non-parent, I highly recommend it for those interested in feminist horror or more avant-garde approaches to horror narratives. Those who don’t like books with heavy introspection or ambiguous storytelling may enjoy something else, however I still think it is an interesting read nonetheless.
“Dread washed over me. Had she been sitting there, watching me sleep, the whole night? Her skin gleamed like candle wax in the light; then she grinned and whatever color her eyes had been before, now they turned red. In an instant, her skin transformed, dried and desiccated into leather, and her teeth grew long and needle sharp.”
-pg 214, The Hacienda by Isabel Cañas
My only minor criticisms would be the resolution was fairly quick and mostly offscreen. Though maybe I’m just saying that because I wanted to keep reading, even after the book ended! I also found myself slightly annoyed at the characters for not picking up on some of the more obvious clues to what had happened in the house.
A thoroughly enjoyable gothic (and dare I say, romantic) novel that kept me on the edge of my seat, I highly recommend The Hacienda. If you enjoy haunted house tales, you will enjoy this book.
Are their traditions innocent or are they darker than they seem?
The Plot
Harry, short for Harriet, is a British writer gaining popularity after the publishing of her first novel. She meets Edward, a member of the widely known Holbeck family, and the two strike up a relationship. The Holbecks are high powered executives, running family businesses that bring in massive amounts of wealth. When Harry learns she is pregnant, the couple decide that it is finally time for her to meet the family.
During her first meeting with the family, Edward’s father, Robert gives Harry a vintage tape that he says holds a story that he’d like her to listen to. As Harry listens to the tape, she begins to believe that the Holbecks have done some very bad things.
As she continues visiting the family, their strange traditions are revealed to her. The games that they play traditionally involve darkness and fear. Can Harriet find out the truth about the mysterious Holbecks?
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The Verdict
Catherine Steadman outdoes herself in The Family Game. She creates such a mysterious family in the Holbecks and their dynamics are intriguing. Readers will follow Harry as she tries to determine the truth about Robert’s misdoings. The cast of family characters are a wonder to watch. We’ve all always wondered what the extremely rich live like. Harry shows us their virtues and misdeeds.
The novel really remarks on the power of wealth and the wealthy’s ability to commit audacious crimes and pay for them to go away. Robert, as the patriarch of the family, is a prime example of such. As Harry begins to discover that Robert may be confessing to a series of murders on the cassette tape, she must decide how to proceed. She knows that the power that Robert holds cannot be taken lightly.
As Harry navigates potentially deadly Christmas traditions, she races for the truth, unable to forget once she finds it. Harry is such a compelling character – a developing mother willing to risk life and limb to protect her unborn baby. Harry is brave and unapologetic and is a true testament on how to write a female main character.
It was very difficult for me to decide between 4 and 5 Cthulus, so we will call it 4.5. This is a novel I highly recommend thriller lovers check out.
(4.5 / 5)
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