Chucky – S2 E3 – “Hail, Mary!”
We are back with Haunted MTL’s continuing coverage of the Chucky franchise. This week, we talk about Chucky S2 E3, “Hail, Mary!” While the previous episode teased two significant legacy characters in Glen and Glenda – we also had a dangling plot thread involving a dead detective. All that goes out the window this week as we spend our entire runtime at Incarnate Lord.
Worry not; this episode is some of the wildest stuff to happen in the Chucky franchise in a long time.
Chucky – S2 E3 – “Hail, Mary!”
A few keystone moments in the Chucky franchise radically shift the series’ trajectory. First was the introduction of Tiffany. Then there was the introduction of Glen/Glenda. The idea of soul-splitting also created a radically new direction for the franchise. This week, the series posits a question: Can you brainwash Chucky?
The episode spends the entirety of the runtime at Incarnate Lord exploring moments of characterization while eliminating some possible narrative angles. The A-plot involves the Chuckybusters trying to brainwash their captured Scout Chucky to get some answers regarding his mission. However, their brainwashing is much more potent than intended and creates a surprising new version of Chucky that is new to the franchise. A good Chucky.
Of course, the writers also enjoy complications – but don’t we all? Hence, the arrival of a new delivery truck to the school featuring a familiar box. This arrival introduces another variant of Chucky – perhaps the strangest one yet.
All the while, character relationships are explored, and power dynamics are established. Father Bryce (Devon Sawa) learns something new about the kids and sets to work punishing them. Sister Catherine (Andrea Carter) is the coolest adult in the current season, and Sister Ruth (Lara Jean Chorostecki) is the worst. Meanwhile, Lexy’s bully, Trevor (Jordan Kronis), gets to work to assert control over her, but this does not last long.
All the while, Jake and Devon clash over guilt and distrust, Nadine’s character grows more intriguing, and Nadine and Lexy seem to bond.
How Was It?
Samir Rehem’s fourth directed episode of the series proves to be fun and a good follow to last week, which he also directed. The direction is solid, and some interesting cuts and camera tricks create some fun variation in an episode locked more or less to a couple of locations. One criticism is that this episode was overly dark when it came to light, especially compared to last week. Some of the scenes in Jake and Devon’s room could have benefited from a touch more brightness.
Rachel Paradis and Nick Zigler get the opportunity to write one of Don Mancini’s long-standing ideas of a Good Chucky, make it work, and garner sympathy for the little psycho during the A Clockwork Orange brainwashing segment. Sympathy for Charles Lee Ray; who knew that was possible?
“Hail, Mary!” is Paradis’ second series writing credit since “Little Little Lies” in season one. Zigler serves as one of the go-to writers for the show, with this episode being his eighth writer credit on Chucky. He penned most of season one’s episodes.
However, as new possibilities open up, the episode does close the door on a character that could have created some solid dramatic potential. It’s a risky move, but I feel the show thrives when it throws caution into the wind.
Highlights
I won’t factor in my disappointment to be drifting away from the Glen and Glenda developments from last week in scoring the episode. This largely single-location episode provided exciting developments that could radically shape the franchise.
I do feel the episode’s lighting was an issue, and I am still unsure how to feel about removing a character from the overall narrative. However, the moments of character building combined with the utter insanity of how various Chuckies seem to become their own unique entities is fascinating.
(4 / 5)
Chucky – S2 E3 – Kill Count and Spotlight
So far, two more kills have been added to the list for season two, bringing the season total to five. One kill returns Chucky to his roots as “the Lakeshore Strangler.” However, the more dramatic and jaw-dropping kill this week involves a Mortal Kombat fatality and is one of the franchise’s messiest and craziest kills.
Seeds of Chucky
As always, each review features some notes on references and continuity in the whole Chucky franchise.
- SyFy’s post-show featurettes have been a delight, and if you head over to Syfy.com, they should be available to watch.
- Part of the fun of those, beyond the behind-the-scenes reveals, is that Chucky hosts them. I hope Brad Dourif runs away with a heavy paycheck week after week.
- Speaking of reveals – Don Mancini confirms he’s been thinking about a good Chucky for a while.
- Also revealed – the prosthetic worn by a character for a death scene smelled like vinegar.
- This week’s title card features crucifixes. We’re firmly in religious horror now.
- I am annoyed we’ve swerved away from Glen and Glenda’s reveals this week, but I can also see why they would do that.
- That was the most Irish priest I have ever seen.
- Mentions of MKUltra this week. And no, not Mortal Kombat Ultra.
- Speaking of… Chucky needs to be a DLC character in a future Mortal Kombat… he just has to be after tonight’s episode.
- Regarding movie references this week, we have a huge one with A Clockwork Orange. Also, films used in Chucky’s conditioning seem to include The Thing and Psycho II.
- Something that made my millennial heart flutter – a direct reference to Child’s Play.
- Also, we can confirm My Little Pony exists in the Chuckyverse.
- Nadine is the coolest. “I’ve got this bitchin’ knife.”
We’re continuing to cover the Kids’ Stuff – A Chucky Podcast show. However, unlike these written reviews, our discussion show contains plenty of spoilers. If you missed the latest Kids’ Stuff about S2 E2, “The Sinners Are Much More Fun,” you could listen to it wherever you get your podcasts.
Episode two of Amazon Prime’s Fallout was equal parts funny and bloody. This almost always leads to a good time.
The story
We begin this episode with the birth of some puppies that look like they’ve had a rough start to life. Each one is weighed, with the ones who fall short being incinerated.
One pup who is just below the correct weight gets a bit of a thumb on their scale. The scientist weighing them, Wilzig, writes down the proper weight. He later takes the puppy home to raise instead of putting them into what looks like an unforgiving training program.
Eventually, we see Wilzig put some blue glowing thing into his neck. When a soldier comes for him, Dog attacks the soldier, and the two escape.
We go from there to the wilderness, where Lucy is recovering from the last episode and enjoying a campfire at night. Wilzig and Dog come out of the shadows, saving Lucy from a bug monster. Wilzig tells Lucy she should go home. And if she’s not going to go home, she needs to evolve.
The next day Lucy finds her way to a town called Filly. As a Pennsylvanian, it hurts me to spell it that way. Lucy is entranced by this town, though clearly put off by the fact that no one is very nice here.
She eventually finds her way to a shop run by a delightful woman named Ma June. Ma doesn’t seem particularly interested in helping Lucy. Or, frankly, having Lucy in her shop.
Or in her town.
Eventually, Wilzig is tracked to this same shop, being tracked by The Ghoul. This is our final primary character. Lucy defends Wilzig, being aided at the last moment by Maximus.
Maximus, by the way, has been having a terrible time. After finally becoming a squire he’s disappointed to find that his knight, Knight Titus, is a terrible person.
Fortunately, Maximus doesn’t have to put up with Titus for long. After Titus gets the bright idea to go hunting, he’s attacked by a mutated bear. Maximus freezes, unable to save him. Then, well, he decides not to save him.
It was Titus’s idea to go hunt the bear, after all.
What worked
The first thing I want to draw attention to is the shootout scene at Filly. This scene checked every box a fight scene should check. It was fun to watch, with great effects. But it also gave us insight into the characters. Lucy is a decent fighter and has a strong moral compass. The Ghoul is callus and desensitized to death. And Maximus continues to be, well, sort of bad at this whole fighting thing. But with enough moral fortitude that we have a hard time blaming him.
Of course, I would be remiss if I didn’t mention the dog. Who’s name, as far as I’ve been able to ascertain, is just Dog. Which is fine. He doesn’t need to have a name to be a very good boy. He’s sweet, loyal, and fearless.
Also, puppies. Puppies are always great.
Finally, I’d like to shine a spotlight on Lucy’s reaction to the world at large. She is both amazed and terrified by everything. And while she certainly doesn’t want to be rude, she also doesn’t want to be taken advantage of. The best example of this is when she stops to ask for directions with a bright smile and a gun.
Once again, I don’t have anything bad to say about this episode. It was funny, dark, and fun to watch. I’m very much looking forward to the rest of the season.
(4 / 5)
Launching with worldwide excitement, Fallout is based on the extremely popular game series of the same name. Fans of the series have waited with anticipation and trepidation to see if the Prime series would live up to the game.
Having now watched the first episode I can say that, so far, it’s successful.
The story
Our story begins with a children’s birthday party. A performer is there with his daughter, giving horse rides and taking pictures with the kids.
As much as the adults try to focus on the party and the kids, it’s impossible to ignore the looming threat of war that’s on everyone’s mind.
Of course, it’s during this party that war comes, and the bombs drop.
We then cut to after the war and into one of the vaults established to protect humankind and the American Way. For future reference, this is Vault 33. We meet Lucy, our first main character, who’s petitioning to be married to a man from Vault 32 to ensure DNA diversity.
On the wedding night, though, Lucy and the rest of Vault 33 are met with a horrible surprise. The group they let in is not in fact from Vault 32, but is instead a team of raiders from the surface. The raiders kill a lot of the vault dwellers and kidnap Lucy’s father.
We are then introduced to our second main character, Maximus. He is in training to become a Knight in the Brotherhood of Steel. And, well, he’s not doing great.
Things get worse when his best friend Dane becomes a squire before him. But when Dane is hurt, Maximus gets their spot.
We then go back to Lucy, who has decided to leave the vault and find her dad. Of course, the council of her vault doesn’t want her to go. So she is aided by her brother Norm and cousin Chet in a wild escape.
What worked
The first thing that deserves attention is the exceptional character work. Our three main characters are fleshed out and relatable right away. We feel sympathetic for The Ghoul before he’s even introduced as such. We love Lucy’s nativity and selflessness. And we love Maximus for his honesty and passion for his cause.
While these characters are their own people, they also exhibit the three responses we might expect to see in a post-apocalyptic world. We have the hopeful optimist who doesn’t understand how bad things are. We have the aspiring hero who wants to make the world better by force. And we have the self-serving individual who’s given up on the rest of humanity and is only focused on surviving.
Another thing I enjoyed about this episode was the balance of humor and gore. Because there was certainly enough blood and guts for even the most hardcore horror lover. We had a violent sabotage, a brawl with raiders, and even several nuclear bombs.
But there were a lot of funny moments as well. Usually from Lucy. Her overall goodwill and fearless gumption are absolutely hilarious, especially given the horrors she’s facing. It never ceases to amuse me.
Both of these aspects are done perfectly. The jokes land and the bloody scenes pull no punches. It was delightful.
All in all, this was an exciting start to a much-anticipated series. Here’s hoping they’re able to stick the landing.
For more tv shows based on video games, check out my review of Witcher.
(4 / 5)
Episode seven of American Horror Story Delicate was a classic AHS flashback episode. If you were excited to see what Preecher had to say to Anna at the end of the last episode, I’m sorry to say that you will not get that satisfaction. However, we did learn all sorts of other fascinating things about the strange coven hunting Anna. And, we learned all sorts of things we didn’t know about Dex’s first wife, Adeline.
The story
We begin our story with a woman giving birth alone in a barn. When it becomes clear that she’s not going to be able to deliver vaginally, she pulls out a knife and cuts her stomach open to pull out her children.
For whatever reason, this is when the coven of witches decides to make themselves known.
We then cut to 2013, when Dex was still married to Adeline. In true Dex fashion, he’s surprised her with a puppy.
While that sounds great in theory, dogs are something a couple should talk about, not gift each other with as a surprise. An adult would know that. A trust fund boy like Dex does not.
Adeline owns a vegan restaurant called Ave Hestia. Love that name. She seems to be living a great life. She has a career she’s passionate about, friends who love her, and a husband she seems kind of fond of.
Maybe that’s why she didn’t want a puppy. She already had one.
Of course, things aren’t as good as they appear. We soon find out that Adeline was one of those babies we saw at the start of the episode. The other baby was Sonia, the painter.
And yes, both of these characters are played by Annabelle Dexter-Jones.
Adeline has stepped away from their family, and whatever dark things they do. But the family isn’t happy with her decision. And if she isn’t going to come back willingly, they’re going to make her.
What worked
To start with, I loved the character, Adeline. She is fierce, she is fearless, and relentless. I feel like this would have been a far different story if Adeline had been our main character. It was astounding to see her interact with the same people Anna has, and get a completely different response. It’s clear now, how much everyone around Anna resents her for simply not being Adeline.
I also appreciated that there was just a shocking amount of blood in this episode. From the start when Adeline and Sonia are born, to the climactic end of Adeline, this episode is just drenched in blood.
Finally, I’m fascinated by the changes in this season from the book it’s based on. Because absolutely none of this was in the book. Compared to this, the book is heartwarming.
The book is kind of heartwarming even without the comparison.
But I love the fact that, even with just two episodes left in the season, I have no idea what’s going to happen. I do not know what Anna is carrying. I do not know if she’s going to survive this. I do not know what these people want with her.
But I can’t wait to find out.
What didn’t work
All that being said, it is a bit frustrating to have no forward momentum in this episode. This was all backstory, and it felt like there wasn’t enough backstory to fill a full forty minutes. Because of that, it dragged. There were a lot of scenes that just didn’t need to be as long as they were. It felt like they could have cut that down considerably, and had some time to check in with our main characters at either the start or the end of the episode.
There are only two episodes left in the season, and I can honestly say I have no idea what’s going to happen. But so far the story has been dark, bloody, and provocative. So I hope they can manage to end it on a high note.
(4 / 5)
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