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In the vein of Idiocracy (2006), Atomic Zombies (2016) and The Poor Guy series weaves Horror through creative zest, humor, and passion. In these little to no budget pieces, the talent in irony deliverance is evident and calls for our attention. Follow along to learn more about this valuable Horror creator.

With all the creative outlets available to you, why movies?

Lots of reasons… I love seeing a creation start out as words or pictures on paper become a full video with music, dialogue, props, location, actors, etcetera.

discussing role with actor via script
Discussing the script!

When I was younger, I’d write down all these stories, then read them to the tape recorder (like, cassette) I had. The process usually involved doing voices and sound effects for a bunch of random characters, including re-occurring characters, like Dr. Gizmo. I’d also create voices for two toy dinosaurs I got from the dentist. They’d constantly break buildings made from Jenga blocks, and go to jail in Jenga blocks rearranged.

Later, someone in my neighborhood got a VHS camera that had to be connected to the wall for power, and we made a bunch of videos about skateboarding. We also recorded nonsensical “army” skits; we had a bunch of toy guns, used ketchup as blood, and moved slowly for dramatic slow-motion parts.

Eventually, I got a Hi8 camera, and made a bunch of videos with my action figures and LEGO‘s, part stop motion and part video. Finally, I got into asking friends and family to be in the videos (which worked out better than I was expecting) and then just used whatever resources we had to make whatever dumb ideas we had into short movies.

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director looking over script
Reviewing script

After I got a digital camera and some editing software, we made even more dumb ideas come to life with slightly more production value. At this point, I like that we can put a little more time into something and make it look better or we can do a stream-of-consciousness video for fun and have it finished in one day (like the Pizza, Pasta and Fried Zucchini Competition videos I did on YouTube).

Why Horror?

I was pretty sheltered when I was younger, but I would always fixate on any violence I could get a hold of. Some specific movie examples would be the VHS fast-forward version of the Raiders of the Lost Ark (1981) face-melt scene, the Indiana Jones and the Last Crusade (1989) aging-to-death scene, and The Matrix (1999) Morpheus-getting-punched-whilst-tied-to-a-chair scene… You get the picture.

shot of actress in red dress in basement.
Time to shoot!

When I finally got into actual horror movies, I loved them. The jokes, the characters, the creators behind everything, and, of course, the gore. There is also a camaraderie amongst horror movie enthusiasts which doesn’t exist among any other genre of movie. Our scope of movie entertainment often extends to lower budgets and stranger storylines than the casual movie goer may enjoy. We are often rooting for the villain, and we are all aware that every one of us is a little sick in the head.

Tell me about your creative process. How does a video start? An idea, thought, message, scenario, etc.?

I always have a bunch of random sketches or notes that I’d like to incorporate into a video. With my webseries, Poor Guy, I often just voiced random conversations between the characters while I was working; by myself and outside all day. Once in a while I’d stumble into some kind of bit that I’d want to use in an episode. Thinking back, I probably looked like a crazy person talking to himself.

up in a tree, getting the perfect shot angle!
Gotta get that perfect angle!

I’d make a storyboard and comics of jokes or interactions, and when I had enough to use together, I’d turn them into a skit. We always have a fun time filming, which can add more jokes along the way. Sometimes they’re for the audience, sometimes they’re just for ourselves to laugh at later. Many on-the-spot jokes in Poor Guy ended up becoming recurring jokes throughout the series. Although Poor Guy isn’t suspenseful or a gore-fest, I tend to think of it in the horror genre. Maybe more Psychological Horror or a Dark Comedy. Either way, it draws a lot of inspiration from the Horror.

One of the nice things, which can also be one of the worst things, about YouTube is the ‘Comments’ section. It provides instant feedback, and a couple times I’ve used suggestions from them in videos. I even ended up getting some voice-over lines from a commenter, which turned out great (Hi AJ).

shooting scene with child on hip, duty calls!
Duty calls!

Also, I try to only write stories that involve locations, props, and people I have access to. For Atomic Zombies, I designed and drew up a few pictures of a Mad Scientist, Dr. Gizmo, an evil Nazi version of the character I mentioned before. There’s also a friend I have who’s awesome at building props and costumes who was able to make a mask based off those few drawings.

I also have a friend who has an amazing studio, basically catered toward an old sci-fi lab, which was perfect for Atomic Zombies. It can be hard to film an apocalyptic wasteland near one of the biggest cities in the country, but as long as the camera is pointed away from traffic, we make it work. I have little to no musical talent, but luckily I know a couple people who are the opposite, and have put together some really awesome music for the weird videos I make.

Which piece are you most proud of, and why?

Atomic Zombies 2 is in production and looking pretty good, but I think my favorite finished video so far is the Poor Guy Christmas Special. I put it out after almost a full year of regular Poor Guy episodes, and it was about four times longer than most of them. It is based off a parody of A Christmas Carol that I had written years earlier. No Spoilers, but it was fun to bring back some characters we killed off earlier. I love stop motion, and since lots of Christmas specials are Rudolph-esque animations, I put some stop motion in my version.

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floating deer head on set.
Meet Balaam!

The special also developed a character who turned into one of my favorites, named Balaam. A floating, talking deer head, who tries to help out Guy, played by ShadowBeatz (music sensation, who also created a Christmas rendition of the theme song), but rarely succeeds. Poor Guy Christmas Special introduces another one of my favorite characters, Tasha. She’s a ghost who calls herself a superhero, but seems to act more like an evil villain.

List any favorite movie creators or specific pieces, tell me how your work has been influenced by them.

If I had to pick just one, I’d say Robert Rodriguez. I’ve always enjoyed his movies, even Spy Kids. I love his story, how he started out with Bedhead (1991) and El Mariachi (1992).

Where can I find your work and the work of your helpers?

I’m very interested on your thoughts on this interview! Take a look at my previous interview with comic author, Jesse James Baer. Who should we interview next? Let me know in the comments below!

PARZZ1VAL: How to Connect

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Movies n TV

The Boys, Season Four Finale

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We have come now to the finale of season four of The Boys. And while it didn’t have the literal blood fireworks I wanted, someone did get ripped in half in the air. So, that’s pretty close.

As a note, I will try to avoid spoilers as much as possible. This ending was a hell of a gut punch that should be experienced as blindly as possible. That being said, I will not be able to avoid spoilers and still give a full legitimate review. Proceed at your own risk.

The story

The main storyline for this episode is the attempted assassination of President-Elect Robert Singer. The Boys join forces with the Secret Service to protect him. But, as we learned last episode, Annie has been replaced with a shapeshifter. A shapeshifter that was welcome not just into Hughie’s anus, but into the protective bunker in which the President-Elect is hiding.

What worked

The first thing I want to discuss about this episode is the ending. But we need to do this carefully.

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The important thing here is that the ending breaks your heart on so many levels. So many terrible things are happening to characters that it’s almost hard to keep track. And each moment is significant to each character.

I cannot give a specific example. But no matter who your favorite character is, you’re going to weep for them.

Jack Quaid in The Boys.

Unless your favorite character is Sage. And this is the next thing that made this episode so fantastic.

I don’t think I’m spoiling anything to say that Sage’s plans worked out exactly as she wanted them to. And she got exactly what she wanted.

What she wanted wasn’t power. It wasn’t money or fame or vengeance. It wasn’t to win the love of anyone. She just wanted to see if she could do it.

That is a terrific, terrifying motivation! Because all she wants is to play a massive game of chess with people as pieces. She doesn’t care about anyone. She just wants to see how many people she can manipulate. She just wants to set things on fire to see if she can.

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Fantastic. A plus villain work.

The next thing I want to discuss is a cornerstone of the whole series.

The morality of The Boys shifts through the series. While it’s very much a battle to save the world from overpowered super monsters, it’s also a battle for the souls of our real heroes. And in that battle, there are two warring factors. We have Hughie, always trying to bring everyone up to a better level. And we have Butcher, who has no problem at all hitting rock bottom with a shovel in hand to do some more digging.

In this episode, we saw almost every member of The Boys challenged. Will they rise to their higher angels, or sink with their demons?

On a similar note, I am so glad that the writers kind of addressed my issues with Annie. They did this by having the shapeshifter get right into her face and accuse her of thinking that she’s better than everyone.

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Erin Moriarty in The Boys.

While that was devastating for the character, it was a little cathartic for those of us who felt like Annie was a little too good of a good guy.

What didn’t work

This is a small matter, but it is an issue that I want to address. After Annie finds out that Hughie slept with her doppelganger, she is furious at him.

In addition to this being unfair, it’s also a very cliche element to add. In almost every instance of a lookalike in fiction, there’s a moment where the love interest of the victim is fooled. Or almost fooled. And it’s always the same fight. It’s just played out and predictable. I’m just glad that it didn’t last very long.

Now that we’ve come to the end of the season, I can officially say that it was amazing. The story was deep and rich. The special effects were a stomach-turning good time. The character development was spot-on and satisfying. And, of course, it left me just about gagging to see what happens next. Unfortunately, it looks like we’ll have a bit of a wait. Because as of right now, the fifth season isn’t expected until 2026.

5 out of 5 stars (5 / 5)

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Movies n TV

The Boys, The Insider

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We’ve reached the second to last episode of The Boys, season four. And, as is appropriate for the penultimate episode of any show, things have to get a lot worse before they can get better.

Let’s discuss.

The story

Christmas is coming, and the whole world is getting ready. Ryan, despite being very clear that he didn’t want to appear on any TV shows or movies, has been strong-armed into participating in a Vought puppet Christmas special. He draws the line, though, when asked to sing about turning one’s parents in if they start talking about woke things.

Cameron Crovetti in The Boys.

Meanwhile, The Boys are trying to keep each other together. Butcher decides to take Sameer to the rest of the team. He also gets Frenchie out of prison, hoping they can make the Sup virus necessary to finally take down Homelander. Instead, this decision means disaster for one member of the team.

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What worked

I first want to talk about Ryan’s speech near the end of the episode. Because it was exactly the moral of this whole story.

Ryan’s dad is a monster. His stepdad is also kind of a monster. But Ryan is a good kid. He cares about people, about family. And while he loves Homelander and Butcher, he doesn’t want to be like them.

Even better, this speech sounded like something a kid would say. Ryan didn’t open his mouth and start sounding like a college student all of a sudden. He sounds like a kid who misses his mom and wants to live up to the good standards she set for him. And I think that’s terrific.

Speaking of Homelander, he shot himself in the foot in this episode. I said earlier in the season that his hubris was going to be his downfall, and I was right. Without Sage, he just has the same weaknesses he’s always had. He’s going to fail because he just isn’t clever enough or patient enough to succeed.

Without Sage, I think a win is in the bag for The Boys. This isn’t to say that Homelander by himself isn’t dangerous. It’s just that he’s more like a wildfire than a controlled burn. He’s going to cause a lot of damage, but not get anything he wants out of it.

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More’s the pity for him and everyone else who has to share his world.

Finally, I am thrilled with A-Train’s redemption story. I love that he wants to be a good person not to save himself, but to be a good person. His honest, pure and warm reaction to that little kid smiling at him in the last episode was heartwarming. It changed him in a moment, bringing to light a goodness that he’s been keeping under wraps for a long time.

Jessie T. Usher in The Boys.

This, along with Ryan’s courageous speech, proves once again what The Boys does so well. Yes, it’s gruesome. Yes, there’s blood and balls and batshit events. Yes, someone occasionally gets ripped in half. But there is a true human goodness in the story. One that we catch glimpses of. There are good people among the monsters. There is hope for redemption.

What didn’t work

Of course, so few things in this life are perfect, and this episode was no exception. For instance, I was irritated by the insinuation that Butcher cheated on his wife.

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That just doesn’t make any sense. We’ve seen flashbacks of Billy and Becca. They were happy. He was happy. He was head over heels for her. And I don’t think it’s realistic or necessary for the character to throw in that he cheated. It does nothing to add to the story, it’s just a weird and offputting moment.

Doesn’t Butcher have enough to hate about himself? Can’t we just give him that at least he was a good husband?

Finally, I kind of hate that we ended up with Annie being caught. It’s just cliche, which is something I don’t normally say about this show. It feels lazy unless they do something very clever with it in the last episode. Which, I suppose, they might.

Next up is the season finale. And with this season being as insane as it has been, I’m expecting nothing short of bloody fireworks. And I mean literal fireworks of blood. At this point, would it surprise anyone?

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4 out of 5 stars (4 / 5)

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Movies n TV

The Boys, Dirty Business

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Episode six of The Boys was one of the most surprising episodes of the series so far. And that is certainly saying something. Because this season has so far been bonkers.

The story

Our episode today revolves around a party at Tek Knight’s lovely mansion. Yes, it does look just like Wayne Manor.

The Boys know that Tek Knight is working with Homelander on something, but they don’t know the details. So they decide to send Hughie in to bug the mansion.

Because that’s worked so well the other two times he’s tried to hide a bug!

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It should surprise no one that this time goes no better. Hughie finds himself in Tek Knight’s basement. And by that I mean his BDSM dungeon.

Meanwhile, the party upstairs is no less disturbing. Homelander and Sage are trying to convince some well-off political donors to support a cue after the election. When pressed for details on his plan, Homelander freezes. He looks to Sage for help, but she wasn’t recently shot in the head and still in the junk food stage of her healing.

Fortunately, or unfortunately depending on your point of view, Neuman jumps in and saves the day.

Claudia Doumit in The Boys.

What works

If I’m going to say one thing about this episode, it didn’t hold back at all. I didn’t expect them to show a character masturbating, sitting their bare behind on a cake, or spraying breastmilk into someone’s face. But every time I thought they’d cut the scene and let something be left to our imagination, they did not do that.

Derek Wilson in The Boys.

This is a dangerous move. Whenever you show the monster, you run the risk of them not being scary enough, or gross enough. As Stephen King says in Danse Macabre, to leave this sort of thing to the imagination if the reader makes things so much worse. So when they finally experience the monster, they might say that this isn’t so bad. It could have been so much worse.

But in this case, they managed to avoid that by making the scenes, especially the ones in Tek Knight’s dungeon, so much worse than I imagined it would be.

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What doesn’t work

While this was a deeply disturbing episode in many ways, there was one really innocent and sweet moment.

And yes, I did have a problem with it.

Confronted by Firecracker, Annie decides to apologize for spreading rumors about her when they were kids. She tells her that she is genuinely sorry.

And I believe her. I don’t think Firecracker did, but I did.

So why is this an issue? Because I’m starting to think that Annie is maybe too nice. She is too good.

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I know that Annie is our good guy. But every one of the other good guys has flaws. Hughie let his pride get in the way and took Temp V. MM hid himself from his daughter instead of teaching her to work through her emotions. Kimiko is far too closed off and has a hard time trusting others. Frenchie numbs himself with drugs. And well, what hasn’t Butcher done?

It is unrealistic that Annie is just so kind and so flawless. We all have shadows in our personalities. We all have weaknesses, we all mess up. We all do things we wish we could take back. The fact that Annie doesn’t seem to have anything like that is not just unrealistic. It’s infantilizing.

Give her some deep dark secrets. Give her something real to regret.

This was a shocking episode, even for someone fairly jaded like me. I wasn’t expecting the sort of weird sexual depravity, though I guess maybe I should have seen it coming. It was dark, upsetting, tense, and funny as hell. And with just two episodes left in the season, I can imagine the stakes are only going to get higher.

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4 out of 5 stars (4 / 5)

By the way, if you like my writing you can get my short story, Man In The Woods, on Smashwords and Amazon.

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