Web of Darkness – T+E’s new original horror series
Web of Darkness
Jim here. Do you like horror with an anthology flavour? If so, check out Web of Darkness, the brand new original series from the T+E channel. Voodoo Priestess and I got our hands on an advanced viewing of the first episode and let’s say this is a program we’re happy to come back to. So, sit back and relax. Let Jimbo drive a NO SPOILERS review of Web of Darkness – the Good, the Bad, the Ugly style!
The Good
It’s Quick n Dirty. T+E touts this as ‘bite-sized’ horror and they deliver. Okay, so this isn’t the Bite-Sized Horror podcast Nicole and I are taping, but I do like the concept of something that won’t make your butt cry when you’re sitting down to watch. The beauty of the bite-sized format is that you can watch an episode in one sitting or multiple ones! That’s right! You don’t have to be a slave to your TV when you’re consuming horror.
Got a minute or two? Great! Watch one story. Got a few dozen more minutes? Awesome! Have a seat, we’ve got the popcorn ready for ya!
Plus, a bite-sized horror anthology means if one story isn’t working for you, well, fear not true believers! We got a few more different ones coming at ya.
Production value. We’ve all seen some content that I won’t name that really drags or the editing is goofed or the sound is subpar or the or or or….right? Well, T+E put their stamp of approval on this one and it reflects their brand. You get slick; you get smooth, and you get some scares. The production value rivals larger studios and completely sinks a lot of the made-for-TV stuff. Voodoo and I especially like T+E’s ‘commercial break’ visual concept. I’m not sure if that’s going to be in the aired episode, but it works really well from what we’ve seen.
Variety is the spice of life. Voodoo and I thought maybe the Web was interwoven stories (maybe…maybe not! You’ll have to find out by watching!) but what works well in an anthology is a lil bit for everyone. That is the vibe we get when watching this-it’s a little bit for everyone. It’s family friendly (from what we’ve seen, but please be the judge for your own family). It’s story telling done well.
The Bad
POV and Voice Overs. First person POV is hard to do in any genre that has an ‘ultimate’ ending. Why? It’s tricky to narrate something if you’re dead. It can be done (see: found footage, or ghosts) but it can fall flat more oft than not. This, along with using voice overs to explain things physically happening on the screen while the voiceover is going on, is a weak spot for some stories. It takes the audience out of the moment and forces to realize ‘oh right, it’s just a show’.
Scare factor. Voodoo and I are hard core horror lovers. We could see where these could be very scary (like I said, the production value is great!) but sometimes the writing falls. There are some interesting parts. There are some creepy moments. There are some good plot ideas. The writing didn’t allow for a full scare, though. It isn’t like a previous movie we reviewed where the third act is missing. It’s more of an audience direction thing. I think little kids would fear this. I think late at night if I were to watch this alone in an old house with a thunderstorm going on…it might work. I would love to see an increase in Scare Factor but I’m willing to give this show a second episode. It’s difficult to gauge scare based on one episode.
The Ugly
Blood, guts, and monsters! I mean ugly in a good way! This, again, goes back to production value. T+E has great taste in effects and the acting, music, and lighting is spot on. Heck, there is one where I wish a far bigger budget item like Game of Thrones had T+E’s lighting sense (you’ll know exactly the episode of which I speak when you see it). This is one reason Voodoo and I not only are willing to give Web of Darkness a second episode look, but look forward to it. We know, jumps or not, we’ll be entertained.
Web of Darkness – The verdict
Web of Darkness is an original series by T+E. As a horror site owner, I push for original content (heck we have an Original content section!). Also, I like T+E so much I pitched a series called Humbug! to them (more on that later…). More horror (in entertainment) in the world, the better. I love hearing from fresh voices and seeing a well loved production. Web of Darkness is all that and more. Yes, it has some flaws (see Voice Overs) and the target audience might be on the younger side—but that’s good! How boring it would be if every TV show were the same? We need new contact for a whole new generation of horror fans and I think Web of Darkness fits. It is fast; it is sleek; it is well done and, as the PR says, it is bite-sized.
My score is a 3.5 out of 5. It’s definitely worth the watch, and I encourage anyone looking for that anthology fix to check this out. If you check it out, let us know what you thought via twitter @HauntedMTL
Until then, boys and ghouls….
(3.5 / 5)
T+E’s new original series Web of Darkness (8×60’) is a dark, modern-day anthology series that pays homage to the classic horror and sci-fi genre. Inspired by horror stories found in the deepest recesses of the web, each episode follows five chilling tales narrated by everyday characters reliving their nightmarish run-ins with the unexplained. From ghosts seeking revenge to encounters with UFOs and a resentful witch bearing a grudge, Web of Darkness accelerates the terror to deliver bursts of fright in a bite-size format. The series shows audiences what could happen if our world ever intertwined with the supernatural, offering a vivid portrayal of modern-day horror stories often caught on camera by the main characters. The world broadcast premiere of Web of Darkness airs Tuesdays at 10 p.m. ET/PT onT+E, starting June 8.
The first two episodes of Web of Darkness include:
• Episode 1 – Not So Scary Now, Are You?
June 8 at 10 p.m. ET/PT
A nurse is plunged into a frightening battle with mysterious patients who infect her with their dark qualities. A farmer is in mortal danger from a “scarecrow” that is terrifyingly more than what it seems. A UFO crash puts a doctor in an impossible and deadly battle with alien lifeforms. When an old theatre reopens, a clown ghost is reawakened and embarks on a frightening rampage. A teen couple are having fun live streaming their explorations of haunted places until they find themselves way in over their heads.
• Episode 2 – The Game’s Just Begun
June 15 at 10 p.m. ET/PT
At a school with a sordid past, a desperate ghost reaches out to an unsuspecting new teacher. On Hallowe’en, a young man fatally misjudges what he thinks are only frightening decorations. Discovering her boyfriend is part of a horrifying offworld experiment, a young woman realizes she’s their next target. The only survivor of an office massacre returns to work, only to be trapped with the killer who died at the scene. Discovering his family’s brutal past when he returns to their old homestead, a tailor tries to outrun ferocious, newly-awakened spirits.
Web of Darkness is produced by Saloon Media, a Blue Ant Studioscompany, in partnership with the U.S.-based MY Entertainment. Michael Kot,Betty Orr, Julie Chang, Joe Townley and Michael Yudin serve as Executive Producers. Paul Kilback and Tara Elwood serve as Series Producers. Overseeing the series for T+E is Sam Linton, Head of Original Content for Blue Ant Media’s Canadian channels. Web of Darkness is distributed by Blue Ant International. Studios companyT+E is a Blue Ant Media specialty channel and the ultimate destination for totally entertaining programming, providing an escape into a world that is brimming with mystery, intrigue, and unforgettable storytelling. As the home to spine-tingling paranormal encounters, T+E combines thrills and chills with fan-favourite cult series and can’t-miss TV events. tandetv.com.
Marvel’s favorite one-man wrecking crew is back, but let’s be real—this isn’t just a Daredevil reboot, it’s a goddamn resurrection. The Netflix show was peak Marvel TV, a brutal, blood-soaked opera of fists and Catholic guilt. And now? Now we see if the Mouse has the stomach for it.
Back at Josie’s – A Familiar Start, No Training Wheels
We open in Josie’s Bar, and thank God for that. None of that “Where has Matt been?” slow-burn nonsense—just straight into the good stuff. It’s him, Foggy, and Jessica..err..Karen, knocking back drinks in the same dive we’ve come to love.
![Marvel's Daredevil Seasons 1 & 2 [Blu-ray] Complete Netflix Series](https://hauntedmtl.com/wp-content/plugins/aawp/public/image.php?url=YUhSMGNITTZMeTl0TG0xbFpHbGhMV0Z0WVhwdmJpNWpiMjB2YVcxaFoyVnpMMGt2T0RGd1FXcHVZV1k1YUV3dVgxTk1NVFEzTVY4dVgxTk1NVFl3WHk1cWNHYz18MTc0MTc3NTcwMA=)
- UK DVD Region 2 by Erectogen Idealistic lawyer Matt Murdock (Charlie Cox), along with his long-time friend Foggy Nelson (Elden Henson), uses his newly established firm to tackle the rising levels of criminal activity in New York City
- By night however, Murdock – who was blinded by a chemical spill as a young boy – uses his heightened senses to fight crime on the streets as vigilante Daredevil
- With the influence of underworld kingpin Wilson Fisk (Vincent D’Onofrio) continuing to grow, Murdock faces a fight on two fronts to keep the city safe
Last update on 2025-03-09 / Affiliate links / Images from Amazon Product Advertising API
This is Daredevil as it should be: dark, dirty, and two drinks away from a bar fight. No need for a reintroduction, no awkward exposition dumps—just throw us in and let us swim.
Personal Take: This was the right way to start. No fluff, just boom, back in Hell’s Kitchen. That down-to-earth, street-level grime we loved is still here. But then—
Bullseye’s Ambush – AKA Who the Hell is This Guy?!
Enter Bullseye—except if you don’t already know him, you wouldn’t even know it’s him. In fact, ol’ Jimbo had to Google Reverse Image with ‘who the hell is this guy?’ Maybe I missed the ‘last season recap’ button.
One second, Foggy’s making lawyer jokes. The next? He’s got a bullet where his personality used to be.
And here’s the problem: If you never watched Daredevil Season 3 which was what? 30 years ago? Or kept up with Marvel’s deep cuts, this fight has zero emotional weight. It’s just some guy attacking some other guy, and a character we liked gets smoked in the process. I honestly didn’t know who the guy was, so I thought it was just some schmuck low level dude. After googling it…I have a VAGUE recollection of who he was.
Personal Take: This should’ve been a gut punch, but it lands like a lukewarm slap. If you know Bullseye, it’s huge. If you don’t? It’s just another action scene with no setup. Also, this dude has more knives than a goddamn Hibachi chef. Where is he even keeping them all?
The Rooftop Fight – Matt, My Guy, What Are You Doing?!
Now, the fight? Brutal. Perfect. This is what we came for. Matt vs. Bullseye, rooftops, fists flying, bodies slamming into brick walls—it’s exactly the kind of fight that made the original series legendary.
But then… Matt takes off his helmet. Maybe the 3897239428374237842397432 knives sticking out of Matt made him a bit woozie. But wouldn’t he keep that on? I mean not like there’s a copy sneaking up on a guy who can hear a heartbeat of a poodle farting 300 miles away.
What in the name of blind Catholic guilt is happening here?! He just lets a cop sneak up on him? This is Daredevil, the guy who can hear a heartbeat through a concrete wall, and he doesn’t notice an entire cop creeping up behind him?
Meanwhile, Bullseye? Still pulling knives out of nowhere like he’s a goddamn magician.
Personal Take: The fight’s phenomenal, but Matt taking his helmet off is some straight-up horror movie logic. Dude, why?!
Wilson Fisk for Mayor – Did We Miss a Memo?
The Kingpin is back—but wait. Didn’t he get shot in the face in Hawkeye? Like RIGHT in the fucking face!??
No scars. No limping. No “Hey, that bullet wound sure sucked” speech. Just fully intact Fisk, now running for mayor like he didn’t just eat a bullet last time we saw him.
Personal Take: This feels like they wanted you to watch Echo for answers, but who actually watched Echo? Also, Fisk running for mayor makes sense, but it’s been done before. If they’re going to keep him as the villain, they need to give him something new.
Matt’s New Love Interest – Who? Why?
Now, Heather Glenn enters the chat.
And listen—nobody cares. Karen worked because she wasn’t just a love interest. We saw her character grow, we invested in her. Heather? She’s just here because Karen isn’t.
Personal Take: It’s forced. No build-up, no intrigue—just, “Here’s a new love interest, enjoy.”
Final Verdict – A Strong Start, But Not Magic Yet
This episode does a lot right—
✔ The fights are still phenomenal.
✔ Charlie Cox is still the perfect Matt Murdock.
✔ Hell’s Kitchen still feels real.
But…
✘ Bullseye is a mystery if you didn’t watch Season 3 YESTERDAY or have a memory like a steel trap.
✘ Foggy’s death feels more like actor scheduling than good storytelling.
✘ Fisk just appears back like nothing happened, and that’s weird.
Final Rating: 4 out of 5 Cthulhus—Good. Not perfect. Cautiously optimistic.
(4 / 5)
Your Turn – What Did You Think?
Did Born Again Episode 1 hit for you? Or did you have that same something-feels-off reaction? Drop your thoughts below, let’s talk Daredevil.
Movies n TV
“How to Split an Atom,” a Scientific Return to Evil
The assessors return to investigate a particle accelerator with a damning history in “How to Split an Atom.” Season 4 Premiere of Evil.
The assessors return to investigate a particle accelerator with a damning history in “How to Split an Atom.” David (Mike Colter) can’t seem to shake off the dire warning of his vision. Kristen (Katja Herbers) reaches her breaking point. Ben (Aasif Mandvi) sees the light and faces some uncomfortable realizations.
“How to Split an Atom” is the first episode of season 4 of Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
What I Like about “How to Split an Atom”
While “How to Split an Atom” does start in season 3’s conclusion, it’s still a satisfying introduction through Kristen’s reaction alone. While it’s less effective and necessary in the era of streaming services, it reminds viewers of the last season’s execution to re-establish tension.
“How to Split an Atom” sets Kristen and Ben to face their most personal challenges. While Kristen often gets a good amount of material to explore, Ben receives the least development of the three assessors. Now that the titular scheme suggests a scientific focus, Ben seems to earn more attention.
- In the final season, Kristen, David, and Ben continue to assess cases that involve wayward technology, possessed pigs, demonic oppression and infestation, a dance muse conjured by alleged witches, and an evil relic
- Throughout, Leland attempts to lure Kristen into raising a baby antichrist who was conceived with her ovum
- David is recruited by the Vatican’s secret service to remote view a paranormal ability to see the unseen to detect evil
- From creators Robert King and Michelle King (The Good Wife), Evil is a critically acclaimed psychological mystery series that examines the origins of evil along the dividing line between science and religion
- A skeptical female psychologist (Katja Herbers) joins a priest-in-training (Mike Colter) and a contractor (Aasif Mandvi) as they investigate the Church’s backlog of unexplained mysteries, including supposed miracles, demonic possessions, and hauntings
- This 13-disc collection includes all 50 episodes, along with deleted scenes and more!
Last update on 2025-03-03 / Affiliate links / Images from Amazon Product Advertising API
In comparison, David takes a step back, but the performance shows a man haunted by his vision. You see this conflict in his performance as he seems more held back and reserved throughout the episode.
Though far from unique to this episode, I haven’t yet found the opportunity to dive into the opening credits. These credits embody the idea of evil as an intrusive force against the good. It visibly displays the famed “problem of evil,” showing how the darkness intrudes against the light.
“How to Split an Atom” prepares the viewer for a new norm across every character. While that doesn’t evoke a truly haunting experience, it remains effective in building the foundation for the final season of Evil.
Tired Tropes and Triggers
Andy (Patrick Brammall) spirals in this episode, induced by trauma and manipulation. His interactions with Kristen showcase several toxic behaviors. While these issues hold merit and other forces manipulate him, this might not matter to some.
Though not directly stated, a minor character seems to suffer a psychotic break, leading to their death. “How to Split an Atom” doesn’t confirm if this is a suicide, a demonically assisted act, or a complete accident.
What I Dislike about “How to Split an Atom”
“How to Split an Atom” explores a similar titular scheme as last season, but it doesn’t resonate as well. It feels like it retreads season 3, focusing instead on science but still lingering in a similar design.
There’s a strange scene where Sister Andrea and David speak in a low whisper despite being alone in her room. If “How to Split an Atom” wants to imply that spies listen in, “How to Split an Atom” doesn’t show this idea effectively. However, I think it’s intended to parallel Catholic confession, but it still doesn’t make logical sense in execution.
As streaming shows become standard practice, starting a new season in the prior season’s conclusion makes the episode more dependent and repetitive. While the execution remains effective in “How to Split an Atom,” I can’t help but linger on that thought.
Final Thoughts
“How to Split an Atom” establishes a definitive timeline where all the forces of Evil will collide. It has its strengths but doesn’t haunt the viewer. The ramifications of Ben’s descent and Kristen’s breaking point keep this episode from blending into the background, but only slightly. (3.5 / 5)
We’ve reached the end of Goosebumps, The Vanishing. And after eight episodes of quality going up and down, I’m sad to say that the finale held to that theme.
The story
We begin this episode with the teens getting ready to go down into the fort to save their dad. Dr. Pamani gave them serum injections to keep them from being turned into pods. Then she locks them in, intending to never let them out again.
Through a series of quick thinking and bravery, everyone makes it out of the fort, though. Including Matty, Nicole, Hannah and Sameer.
For a time it looks like everything is going to be alright. Until Anthony tells Jen that they’ve got to do something about the alien ship that’s still trapped within the fort.
By the way, watch this with the caption on. It’s fantastic.
Jen and Anthony go back to Dr. Pamani’s lab in time to realize that no one is safe. Least of all, their kids.
What worked
You might notice that the ‘rescuing Dad from the pod’ part of this episode was over pretty fast. That’s because the actual story of this episode was about what came out of the facility rather than what was going on down there. And that was a surprising misdirect. I enjoyed that I didn’t see this misdirection coming. Well done.
I will also say that this episode was fun to watch. The critters were equal parts creepy and kind of cute. The dialog was fun and there were a lot of laughs.
This ending was also satisfying. All the questions are answered. Everyone gets a happy ending and all the people you want to get together do. It was a solid ending with no loose threads.
What didn’t work
Unfortunately, that’s all the good things I can say about this episode.
Let’s start with the continued superficiality of the whole story. I just didn’t feel much of anything for any of these characters. I had a little twinge of bittersweetness when Matty looked through the box of his old things. But that was about it.
The problem here was that everything was going too fast. We jumped from chaos to chaos so fast that the emotions didn’t have time to sink in. It was like rain on a dry field. No matter how much falls, if it can’t be absorbed it’s not going to do much good.
Here’s the real problem I have with this episode, though.
You’ll recall that in the last episode, I was irritated by how quickly Dr. Pamani decided to help the kids. It should surprise exactly no one that she didn’t decide to help them, but to trap them in the facility to be podded forevermore.
- Goosebumps now on Disney+!Jack Archer is convinced something strange is going on at his neighbor’s house
- Mr
- Fleshman always wears all black, hardly ever leaves his house, and never says hello to anyone
Last update on 2025-02-28 / Affiliate links / Images from Amazon Product Advertising API
While I’m thrilled that Dr. Pamani didn’t just change her mind, I still think it was dumb as shit that anyone, especially our main characters, thought she did. These teens aren’t dumb. Kids aren’t dumb. We shouldn’t be portraying kids as dumb in a show for kids.
I’m not saying this series was pure garbage. I’m not saying it was dangerous or unwatchable. I’m just saying that, if it didn’t have the name Goosebumps, I probably never would have watched it. This story just doesn’t have the same staying power that the original stories do. It was fine to watch, but in the end, just didn’t have enough substance to warrant a rewatch.
(3.5 / 5)
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