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We are back with Haunted MTL’s continuing coverage of the Chucky franchise. This week, following last week’s surprising turn, we talk about Chucky S2 E5, “Doll on Doll,” which asks how weird a Chucky-on-Chucky fight be.

We learn that it can be very weird.

Chucky – S2 E5 – “Doll on Doll”

Chucky, S2 E5, “Doll on Doll” returns us to the cliffhanger two episodes ago, featuring the showdown between Good Chucky and Buff Chucky, and the episode wastes no time getting to the action. The episode returns the show to a regular format after the last episode’s break. We have more shenanigans at the school with a disappearing corpse, sacrilegious Chucky, and Jake and Devon drifting apart. Meanwhile, we get some fascinating developments in Beverly Hills with Glen, Tiffany, and two surprising reveals for Seed of Chucky fans.

Of course, the episode leaves us with a fascinating hanging thread, introducing yet another new Chucky and the return of a legacy character in a very precarious position in the woods outside of the school.

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“Doll on Doll” is director Leslie Libman’s third episode of the show, while Mallory Westfall and Isabella Gutierrez take on the writing duties.

Screencap of a buff Chucky from Chucky S2 E5
“Don’t f@!k with the Chuck.”

How Was It?

The episode had plenty of fun reveals and nods to the larger franchise. However, I worry that some cracks are beginning to form in the writing of the teenage characters that are a bit forced. It may be the setting, but everyone is amped up and on the wrong foot. With that said, it could be the threat of two Chuckies, but some hair-splitting in character relationships feels more manufactured than organic. My main concern is the Jake (Zackary Arthur), Devon (Bjorgvin Arnarson), and Good Chucky triad, where both Jake and Devon are being unreasonable and understanding in equal measure, but the issue is nobody is talking. Not giving characters a chance to speak is one writing trick I am not a fan of.

That’s the worst of it for me, in an overall fun episode that moves the story along on a couple of fronts. e have more stuff for the adults at the school. Father Bryce (Devon Sawa) reveals the depths of his toxic beliefs. Sister Ruth (Laura Jean Chorostecki) gets her chance to screw things up for everyone. We even get revelations about Dr. Mixter’s (Rosemary Dunsmore) role in all of this. With her having been curiously involved in the events of the season so far, this is a big moment.

Episode Highlights

The bulk of the excitement in the episode revolves around Tiffany’s attempt to keep her secret from Meg Tilly and Glen (Lachlan Watson; only for the secret to be blown wide open in one of the biggest reveals possible. The show takes it a step further when you think Seed of Chucky fans are getting everything they want. We’re now moving into a road-trip story of the Valentine/Tilly/Ray family, complete with a couple of very special dolls. I feel the show has very much situated itself around Tiffany right now, and I am all for it. While I love the series leads, I think everything with Tiffany has been absolute dynamite.

Visually, the episode is solid but not as inventive as in prior weeks. I feel the Chucky fight was as good as it could be, given the technical limitations of puppet fighting. The shots were a little safe to make the digital erasure of the puppeteers much easier. I understand why, but I have been spoiled by more visually explosive moments on the show. With that said, the motion of the puppets was good. The hits felt solid, thanks to stunt coordinator Tim Cody.

It also doesn’t help that what was rich, chiaroscuro lighting within the school has become overly dim. I felt the lighting in this episode was rough compared to the first two.

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4 out of 5 stars (4 / 5)

Chucky – S2 E5 – Kill Count and Spotlight

Only two kills this week, making ten kills for the season so far. The first kill is technical. I won’t spoil how, but it involves a knife. We also get an infamous nailfile kill as well. By issue of technicality, the nail file is the winner.

Seeds of Chucky

As always, each review features some notes on references and continuity in the whole Chucky franchise.

  • There is a significant reference to Apocalypse Now (1979) this week. I won’t spoil it, but you’ll know if you are familiar with that movie.
  • Glen’s eye-twitching has shown up a few times in the show already, but it tickles me to see Glen is still barely holding things together.
  • The ritual Tiffany used to inhabit the body of Jennifer Tilly in Seed of Chucky (2008) had a specific term that paid off 14 years later.
  • More Jennifer Tilly career mentions this episode: Tiffany watches Liar, Liar, and Meg Tilly hangs around for a bit. We also acknowledge her voice acting on Family Guy as well.
  • There is a Chucky Goes Psycho poster in a room of Tiffany’s house, a reference to the film being shot in Seed of Chucky.

That is the review and recap for this week. Kids’ Stuff – A Chucky Podcast is on a brief hiatus. This is due to my co-host’s work schedule. We’re hoping to catch up soon.

David Davis is a writer, cartoonist, and educator in Southern California with an M.A. in literature and writing studies.

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Movies n TV

Fallout, The Ghouls

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Episode four of Amazon Prime’s Fallout was a great one for character development. It was also great because one of my personal favorite actors was involved.

Let’s discuss.

The story

This episode’s story revolved largely around Lucy and The Ghoul. He’s still dragging her about on a rope, but we aren’t sure why. While she can track the Head, she certainly hasn’t shared that information with the Ghoul.

What he wants her for soon becomes clear, when he barters her for vials of the medication that keeps him from losing himself to the ghoul illness.

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Ella Purnell in Fallout.

At first, Lucy thinks this is a step up. She’s taken by a robot surgeon named Snip Snip to get a new thumb. Since, you know, The Ghoul shot her thumb off.

However, after stitching a new thumb on, Snip Snip takes her to his masters. Who then say they want him to cut her up for her organs.

Lucy manages to escape and even frees the other people trapped by these organ brokers. In doing so, she comes into the possession of many, many of those vials that The Ghoul needs so desperately.

Meanwhile, Norm is starting to suspect that all is not what it should be in Vault 33. While the rest of the vault is preparing to elect a new overseer, he takes Chet and sneaks off to Vault 32. There, they find some horrific sights. Long dead bodies, next to messages scrawled in blood. There are especially bodies around the door that leads to Vault 31, where someone has written We Know What’s in There on the wall.

Of course, we don’t know what’s in there. But I’m sure we’re going to find out.

Moises Arias and Dave Register in Fallout.

Norm continues to dig, checking for information on the old Overseer’s computer. And he finds that the door to Vault 32 was opened by a Pip-Boy. To be specific, it was a Pip-Boy owned by Norm and Lucy’s mother.

I’m sure that won’t be relevant later.

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What worked

The more I see of this season, the more I like Lucy. She is growing and evolving as a person, just like Wilzig told her she would have to do. She is becoming harder. But her kindness and values haven’t changed yet. She is still a good person. I love that.

I also love the dark, creepy storyline with Norm. I love how serious he is, especially when compared to the rest of his community. I especially love that, even as emotionally disturbed he is by what he’s learning, he seems passionate. And from what we’ve seen of this character, this is possibly the first thing he’s felt passionate about his entire life. I am impressed with the writing and acting that have allowed us to see his lack of passion with minimal focus. He is a fun, well-written character.

Finally, I’d like to shine the spotlight on Matt Berry. He is a delightful actor known for What We Do in the Shadows and IT Crowd. And he is playing the remarkably funny role of Snip Snip, the robot surgeon. His voice lends an extra level of humor to an already funny premise. This was another example of the great casting we’ve seen so far on Fallout.

In the end, this was a great episode from all points. It was fun, heartfelt, and dark. In short, I have no notes. I’m only excited to see what happens in the next episode. 4 out of 5 stars (4 / 5)

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American Horror Story Delicate, The Auteur

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The finale of American Horror Story Delicate aired last night. And if you were watching along with us on Threads, then you already know that it didn’t live up to any of my expectations.

Let’s discuss.

The story

We begin with Anna being ushered off stage and into an ambulance. Dex is there because Siobhan called him.

Once in the ambulance, though, the blood starts to spill. And it’s not just Anna’s. She soon finds herself in the clutches of the coven, giving birth in the most anxiety-inducing place possible. And when the baby is born, he’s taken away at once.

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Because that’s the agreement that Anna made, without fully realizing what she was agreeing to.

If Anna’s going to get her baby back, she’s going to have to make another sacrifice. She is going to have to join the coven herself. Is she strong enough to do it? Is she strong enough to raise a monster?

Leslie Grossman, Emma Roberts, Annabelle Dexter-Jones, Ashlie Atkinson, Michaela Jaé (MJ) Rodriguez, Billie Lourd and Juliana Canfield in American Horror Story Delicate.

What worked

This episode did have some fun elements. As a practicing witch myself, I appreciate the addition of Hestia in a positive light. Especially when this season was so focused on motherhood, womanhood, and sisterhood, Hestia was a lovely goddess to include.

For those who don’t know, Hestia is a goddess of the home and hearth, but not a maternal goddess. She was, in fact, a virgin goddess. So Adeline’s devotion to her made sense in a real-world witchcraft way. Adeline was supposed to be a symbol of female love and support. Including Hestia in this made that crystal clear.

This was made most clear with the behavior of Siobhan. She was a perfect example of a toxic person who uses sisterhood to use and manipulate others. This can be seen clearly in the flashback that begins this episode. We see Siobhan show kindness to Anna, who she wants to use while being cruel to the woman who shared her story at the start of the meeting. For Siobhan, kindness is a currency she spends to get something. And that is clear.

What didn’t work

Sadly, those two elements weren’t enough to save this episode. My first concern is that this ending had more holes in it than Swiss cheese.

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This wasn’t just a matter of having questions left after the ending. These were elements that we should have seen and just didn’t. Why were the witches diluting and working with blood near the end of the episode? Why didn’t Dex Senior get what was coming to him? What the hell was with those pointed green heels? My largest question, however, is this.

Did Anna imagine all of this? Did any of it happen? We don’t know. Consider the ending. I don’t want to spoil too much of this, so I’ll only point out Anna’s gown. It’s bloody in one scene and newly clean the next. This is only the example I can share without spoiling the ending. But we have no proof that any of these things happened to her.

While it’s fine to leave some questions up to the viewer, there were too many here. Rather than feeling mysterious, it just felt incomplete. And seeing as how this episode was much shorter than a standard one, this could have easily been corrected.

I would also like to hold some space for how this season ruined the good message of the book Delicate Condition. This novel was bloody, gory, and disturbing. But it also had a beautiful message about sisterhood, and women supporting women through motherhood, career choices, and life in general. There is so much pure, sisterly love in that book.

This is entirely missing from this season. It’s often turned on its head, with women betraying each other for their own selfish desires. And honestly, I hated that.

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Leslie Grossman, Kim Kardashian and  Billie Lourd in American Horror Story Delicate.

Finally, this season finale is another example of an ending ruining a good season. AHS Delicate wasn’t without its charm. Some episodes were great fun. There were elements that I truly enjoyed as a horror fan, a witch and a woman. But this ending just soured everything good about the season. It spoiled all of the enjoyment I had. Much like Sabrina, Dexter, and the podcast Dolores Roach, the ending ruined everything that came before it.

In the end, this finale was disappointing. It didn’t deliver on its promises, it did a disservice to the source material, and it was poorly executed. This series is more than capable of better. Delicate Condition, the novel, deserved a better interpretation.

However, as a long-time fan, I can honestly say that in twelve years of content, I have genuinely disliked a season and a half of American Horror Story. This one, and the second half of Double Feature. So while AHS Delicate was a disappointment, I am looking forward to season thirteen. In the meantime, I’m going to rewatch Coven and look forward to better stories to come. 2 out of 5 stars (2 / 5)

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Movies n TV

Fallout, The Head

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Episode three of Amazon Prime’s Fallout continued the themes we’ve seen so far, with an added twist. With comedy and gore already blending, the story has added an air of tragic history for one of its least cuddly characters.

Let’s discuss.

The story

Walton Goggins in Fallout.

Our story starts with a flashback to before the bombs dropped. We see Coop, filming a movie. His wife is on set as well, and their adorable daughter. Coop has a comfortable life with a family he loves.

Isn’t that just a knife in the heart?

Back in the present, Lucy is traveling through the wastelands with the head of Wilzig. And she’s doing so with the same fear and joy that we’ve seen from her so far. Until that is, she runs into a Gulper. And after eating a defenseless deer, it swallowed up the head.

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Eventually, The Ghoul catches up with Lucy and decides to capture her. After using her as bait, he decides to drag her along with him.

Meanwhile, Maximus gets a message from the Brotherhood of Steel. Rather than coming clean, he claims to be Knight Titus and is accidentally sent a new Squire. That squire is Thaddeus, one of Maximus’s bullies from the base. And Maximus wastes no time in taking some sweet, sweet revenge.

Finally, we return to Vault 33. The vault is healing from the Raider attack and the loss of Lucy. Norm and Chet are being punished for letting Lucy leave, by being fired from their jobs. This throws Chet because he had a cool job.

Norm, on the other hand, didn’t like his job. He didn’t like any job. So, since this is the only way anyone gets punishments in the vault, he’s given the task of feeding the Raiders.

And talking to the Raiders was maybe not a healthy thing for Norm to be doing. He might learn something he didn’t want to know.

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What worked

The first thing I have to talk about is the massive creature called The Gulper.

This thing was fascinating. It was voracious, fast, and horrifying to look like. It was like a giant axolotl from Hell, with human fingers lining its whole mouth and throat. Why did it need fingers lining its mouth and throat? The better to drag someone down its throat and into its stomach. And the better to drag itself into my nightmares. This creature was well done.

The Gulper from Fallout.

On the flip side of this, I love the fact that the people of Vault 33 are so kind. They’re so willing to forgive, willing to care for their fellow man even when their fellow man is trying to kill them.

I don’t trust it, to be clear. But the perceived kindness from these people is uplifting. And I’m sure it will make whatever is going to eventually happen to them all the worse.

Of course, I can’t talk about the goodness of the vault dwellers without talking about the absolute horribleness of The Ghoul. The Ghoul is not a good person. He is cruel, and selfish, and clearly dislikes Lucy for some reason we do not yet know, and is probably not her fault.

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But we kind of understand how he got that way, don’t we? During the flashbacks, we see that he’s lost his wife and daughter. We also see that he was used as a mascot for the very company that created the vaults. And, while we don’t have any concrete proof yet, we can probably guess that these are not the good guys. Even if we haven’t played the games, anyone who’s even slightly genre-savvy can already guess that.

Which is the last thing I want to bring up here.

We know something stinks with the vaults. Something beyond the obvious issues of wealth disparities and the people left outside to die while those who could afford a Vault spot were saved. Something is rotten with the vaults, we all know this. What we don’t know is what form this rot will take.

Not yet.

What didn’t work

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Now, I wish I could say this was a perfect episode. But sadly, it wasn’t. And my biggest issue with the episode is with the character Maximus.

Now, I love Maximus. He wants to do good things in the world. He’s the underdog, and who doesn’t love that? He’s honorable and believes in the organization he belongs to.

I don’t love that he cannot do anything right. It feels like he wins fights by falling over and tripping into succeeding. And this character deserves so much more than that. Can we please, just once, see him be good at something or make a sound decision?

All that being said, this was still a fun episode. It was funny and bright, with an ominous feel and a horrific finger-ridden monster. I had a great time with it.

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4 out of 5 stars (4 / 5)

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