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I had quite a strange reading experience with this little book of striking poems. At first, I was reading through the poems and getting extremely frustrated. As someone who loves reading “high literature” and likes to proclaim that I “get it,” it was frustrating for me to get about halfway through this collection and feel like screaming. I felt like everything went over my head and that I just wasn’t understanding what was going on. I’ve always found this to be something I struggle with. Poetry is just really hard for me to “get.” This is why in the past I’ve always skipped trying to read poetry or got frustrated and gave up. I’ve always just branded this as “I don’t like poetry because I don’t understand it” and left it at that.

This is the first collection of poetry I’ve read in a long time, admittedly. I was beginning to feel like my attempt at reading poetry (yet again) was a mistake until I reached about the middle of the book. Something clicked and the fog cleared. When this happened, I was feeling the ambience of sensuous terror that Pafunda’s words were creating. It was as if the cold and grit were surrounding me as I flowed through her language. Once I reached the end of the collection and knew I’d stumbled upon something, I immediately reread the poems.

This time around, I found myself stopping to take photos of poems and the pages that stood out, that made me feel something. After my second readthrough, I had over 25 photos of poems in my camera roll. All of this to ultimately say, this collection is stunningly macabre, and I get it!

Some of my favorite lines bring an eerie softness that feels like a warm bath filled with black lavender. Corpses speak and the reader is enveloped in such beautiful terror: “We’ll come for you. / And in your domicile / we’ll plant our hooks / and in your eyes / we’ll hook our beaks” (47). Images are uncanny and unsettling: “A receipt for turpentine / wiggles out of your wallet / and out of your mouth / the turpentine spills” (42). The underworld setting that the female speakers live in is terrifying, yet I can’t stop feeling compelled: “What can we tell you / that all of those spiders / haven’t already spelled out / across your stunned, / still, silent, flesh? / Get. Out. Now.” (34). I was absorbed by the text.

In the end, my reading experience was frustrating, but even more gratifying in the end because of the struggle to grasp this prose. Work through it and you can find the gem inside. This read takes a lot of effort on the part of the reader, but is more than worth it – and is maybe even better because of it!

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4.5 out of 5 stars (4.5 / 5)

Sarah Moon is a stone-cold sorceress from Tennessee whose interests include serial killers, horror fiction, and the newest dystopian blockbuster. Sarah holds an M.A. in English Literature and an M.F.A. in Fiction Writing. She works as an English professor as well as a cemeterian. Sarah is most likely to cover horror in print including prose, poetry, and graphic forms. You can find her on Instagram @wellreadredhead18.

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Book Reviews

Brutality, Motherhood, and Art: Nightbitch Review

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“In the distance, she heard her husband in the backyard call for her , but she was not that woman anymore, that mother and wife. She was Nightbitch, and she was fucking amazing. It seemed she had been waiting for this for a very, very long time.” -pg 89, Nightbitch by Rachel Yoder

Nightbitch is the debut novel of Rachel Yoder about a stay-at-home mother coming to terms with the loneliness and brutality of motherhood. The main character, only referred to as The Mother, begins to undergo a frightening change as she sinks deeper into a depressive state. She transforms into Nightbitch, an animalistic creature full of anger, bloodlust, and freedom. The Mother must utilize the help of a strange book and a group of multi-level marketing mommies to harness her newfound strength before she loses herself or her family.

The novel is a stunning commentary on the everyday violence of motherhood centered within the context of werewolf and mystical woman mythos. The Mother spends much of the book contemplating her future and the abandonment of her dreams. Specifically, she grapples with the loss of her ability to create art, her longtime passion. On a larger scale, Nightbitch examines how many women are asked to stop being individuals after having children and only become mothers–existing only in the presence of their child. The message is clear, poignant, dark, and at times, hilarious. The prose and structure of the book are abnormal, however, it works with the overall messaging and plot. 

As far as negatives go, Nightbitch was pretty ambiguous. This was by design, and created an aura of magical mysticism around many of the characters and events. The Mother is the definition of an unreliable narrator. However, towards the end of the book, I would have liked a little more clarity in what certain characters knew. 

Nightbitch is a must read for any parent. As a non-parent, I highly recommend it for those interested in feminist horror or more avant-garde approaches to horror narratives. Those who don’t like books with heavy introspection or ambiguous storytelling may enjoy something else, however I still think it is an interesting read nonetheless. 

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4.4 out of 5 stars (4.4 / 5)

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Book Reviews

Gothic, Ghosts, and Tlachiqueros: The Hacienda Review

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“Dread washed over me. Had she been sitting there, watching me sleep, the whole night? Her skin gleamed like candle wax in the light; then she grinned and whatever color her eyes had been before, now they turned red. In an instant, her skin transformed, dried and desiccated into leather, and her teeth grew long and needle sharp.” -pg 214, The Hacienda by Isabel Cañas

The Hacienda is a gothic horror novel by Isabel Cañas set in the wake of Mexico’s War for Independence. The debut novel by Cañas, it delivers a classic haunted house tale with a twist of Mexican high society. Recently made homeless by the execution of her father, Beatriz marries Don Solórzano to escape her cruel treatment by her relatives. However, once she joins him on his estate, she finds that the promise of a new life holds dark secrets and darker spirits. She enlists the help of a priest, Andrés, to uncover both. Together, they find the home has more dangers than they bargained for. And more threats both supernatural and far too material await every corner.

I adored The Hacienda from start to finish. Cañas’s prose was accessible but full of deep imagery. While told from the perspective of both Beatriz and Andrés, neither outweighed the other. The perspectives were interesting and the transition between the two was well executed throughout the novel. I usually don’t seek out romantic books, but I loved the romantic and sexual tension between the two main characters. Specifically since the romantic tension developed within both perspectives, the relationship’s “will-they-won’t-they” felt both plausible and full of stakes. And of course, The Hacienda was spooky! I loved the way the spirits manifested and the impact that had on the characters.

My only minor criticisms would be the resolution was fairly quick and mostly offscreen. Though maybe I’m just saying that because I wanted to keep reading, even after the book ended! I also found myself slightly annoyed at the characters for not picking up on some of the more obvious clues to what had happened in the house. 

A thoroughly enjoyable gothic (and dare I say, romantic) novel that kept me on the edge of my seat, I highly recommend The Hacienda. If you enjoy haunted house tales, you will enjoy this book. 

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4.8 out of 5 stars (4.8 / 5)


Preorder Isabel Cañas’s new book Vampires of El Norte now!

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Book Reviews

“The Family Game” Glimpses Into The 1%

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Are their traditions innocent or are they darker than they seem?

The Plot

Harry, short for Harriet, is a British writer gaining popularity after the publishing of her first novel. She meets Edward, a member of the widely known Holbeck family, and the two strike up a relationship. The Holbecks are high powered executives, running family businesses that bring in massive amounts of wealth. When Harry learns she is pregnant, the couple decide that it is finally time for her to meet the family.

During her first meeting with the family, Edward’s father, Robert gives Harry a vintage tape that he says holds a story that he’d like her to listen to. As Harry listens to the tape, she begins to believe that the Holbecks have done some very bad things.

As she continues visiting the family, their strange traditions are revealed to her. The games that they play traditionally involve darkness and fear. Can Harriet find out the truth about the mysterious Holbecks?

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The Verdict

Catherine Steadman outdoes herself in The Family Game. She creates such a mysterious family in the Holbecks and their dynamics are intriguing. Readers will follow Harry as she tries to determine the truth about Robert’s misdoings. The cast of family characters are a wonder to watch. We’ve all always wondered what the extremely rich live like. Harry shows us their virtues and misdeeds.

The novel really remarks on the power of wealth and the wealthy’s ability to commit audacious crimes and pay for them to go away. Robert, as the patriarch of the family, is a prime example of such. As Harry begins to discover that Robert may be confessing to a series of murders on the cassette tape, she must decide how to proceed. She knows that the power that Robert holds cannot be taken lightly.

As Harry navigates potentially deadly Christmas traditions, she races for the truth, unable to forget once she finds it. Harry is such a compelling character – a developing mother willing to risk life and limb to protect her unborn baby. Harry is brave and unapologetic and is a true testament on how to write a female main character.

It was very difficult for me to decide between 4 and 5 Cthulus, so we will call it 4.5. This is a novel I highly recommend thriller lovers check out. 4.5 out of 5 stars (4.5 / 5)

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