Secret Rendezvous, a Novel Review
Secret Rendezvous was a novel written by Kōbō Abe in 1977. This review will cover the Vintage International edition translated by Juliet Winters Carpenter. While it’s hard to put a direct label on this famous Japanese author’s genre, his work has elements of the Kafkaesque, Serious Fiction (a term I find reductive) and some Sci-fi and mystery thrillers thrown in. Kōbō Abe said his interest was “the abnormal in that which is closest to us.”
In the middle of the night, a wife is taken from her home and placed into a hospital. Her husband, desperate to find out what happened, investigates this hospital and the people who run it. What unravels is a conspiracy of outlandish and inhuman experiments.
What I Like
Kōbō Abe takes many of the best elements of the Kafkaesque with Abe’s unique additions. From the characters to the narrator, this novel keeps the reader interested beyond the absurdity of indifferent bureaucracy.
Often, the main character of the Kafkaesque would be acted upon by the plot and either stoically endures or fails to fight against it. While the nameless narrator falls within the last category, he actively participates in the plot and exercises more agency.
The dissection of societal toxicity often makes for an interesting read when placed in an absurd lens. For example, without diving into spoilers, one character captures the insecurity of many toxic masculine traits through his obsession with editing his own manhood. I won’t go any further than that, as the implication alone is both comical and horrifying.
While there are fewer direct thrills than a horror master could provide, I would say Secret Rendezvous provides an existential horror unique to the author.
What I Dislike
This first point is more for consideration. There are many loose ends that remain unresolved. I have no doubt this will disappoint people who invest in the novel. While the novel is short, 179 pages, it is a point to mention.
Female characters range from plot points at worst to lackluster representation at best. One character I think of as a criticism against the sexualization of girls might be a positive example if not for the execution around the character.
The ridiculousness and believability of some plot points might be too much for some readers. Specifically, the more realistic presentation might condition a few to more realistic expectations. I would say it’s part of the Kafkaesque routine.
Final Thoughts
For fans of the Kafkaesque or horrors that address the exploitation we take for granted, Secret Rendezvous might be for you. A dull conclusion added with lackluster female characters would certainly leave a few readers disappointed. However, despite the 1977 publication, the book feels relevant.
(3 / 5)
If you are interested in more information about the novel – Click Here
“In the distance, she heard her husband in the backyard call for her , but she was not that woman anymore, that mother and wife. She was Nightbitch, and she was fucking amazing. It seemed she had been waiting for this for a very, very long time.” -pg 89, Nightbitch by Rachel Yoder
Nightbitch is the debut novel of Rachel Yoder about a stay-at-home mother coming to terms with the loneliness and brutality of motherhood. The main character, only referred to as The Mother, begins to undergo a frightening change as she sinks deeper into a depressive state. She transforms into Nightbitch, an animalistic creature full of anger, bloodlust, and freedom. The Mother must utilize the help of a strange book and a group of multi-level marketing mommies to harness her newfound strength before she loses herself or her family.
The novel is a stunning commentary on the everyday violence of motherhood centered within the context of werewolf and mystical woman mythos. The Mother spends much of the book contemplating her future and the abandonment of her dreams. Specifically, she grapples with the loss of her ability to create art, her longtime passion. On a larger scale, Nightbitch examines how many women are asked to stop being individuals after having children and only become mothers–existing only in the presence of their child. The message is clear, poignant, dark, and at times, hilarious. The prose and structure of the book are abnormal, however, it works with the overall messaging and plot.
As far as negatives go, Nightbitch was pretty ambiguous. This was by design, and created an aura of magical mysticism around many of the characters and events. The Mother is the definition of an unreliable narrator. However, towards the end of the book, I would have liked a little more clarity in what certain characters knew.
Nightbitch is a must read for any parent. As a non-parent, I highly recommend it for those interested in feminist horror or more avant-garde approaches to horror narratives. Those who don’t like books with heavy introspection or ambiguous storytelling may enjoy something else, however I still think it is an interesting read nonetheless.
(4.4 / 5)
“Dread washed over me. Had she been sitting there, watching me sleep, the whole night? Her skin gleamed like candle wax in the light; then she grinned and whatever color her eyes had been before, now they turned red. In an instant, her skin transformed, dried and desiccated into leather, and her teeth grew long and needle sharp.” -pg 214, The Hacienda by Isabel Cañas
The Hacienda is a gothic horror novel by Isabel Cañas set in the wake of Mexico’s War for Independence. The debut novel by Cañas, it delivers a classic haunted house tale with a twist of Mexican high society. Recently made homeless by the execution of her father, Beatriz marries Don Solórzano to escape her cruel treatment by her relatives. However, once she joins him on his estate, she finds that the promise of a new life holds dark secrets and darker spirits. She enlists the help of a priest, Andrés, to uncover both. Together, they find the home has more dangers than they bargained for. And more threats both supernatural and far too material await every corner.
I adored The Hacienda from start to finish. Cañas’s prose was accessible but full of deep imagery. While told from the perspective of both Beatriz and Andrés, neither outweighed the other. The perspectives were interesting and the transition between the two was well executed throughout the novel. I usually don’t seek out romantic books, but I loved the romantic and sexual tension between the two main characters. Specifically since the romantic tension developed within both perspectives, the relationship’s “will-they-won’t-they” felt both plausible and full of stakes. And of course, The Hacienda was spooky! I loved the way the spirits manifested and the impact that had on the characters.
My only minor criticisms would be the resolution was fairly quick and mostly offscreen. Though maybe I’m just saying that because I wanted to keep reading, even after the book ended! I also found myself slightly annoyed at the characters for not picking up on some of the more obvious clues to what had happened in the house.
A thoroughly enjoyable gothic (and dare I say, romantic) novel that kept me on the edge of my seat, I highly recommend The Hacienda. If you enjoy haunted house tales, you will enjoy this book.
(4.8 / 5)
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Are their traditions innocent or are they darker than they seem?
The Plot
Harry, short for Harriet, is a British writer gaining popularity after the publishing of her first novel. She meets Edward, a member of the widely known Holbeck family, and the two strike up a relationship. The Holbecks are high powered executives, running family businesses that bring in massive amounts of wealth. When Harry learns she is pregnant, the couple decide that it is finally time for her to meet the family.
During her first meeting with the family, Edward’s father, Robert gives Harry a vintage tape that he says holds a story that he’d like her to listen to. As Harry listens to the tape, she begins to believe that the Holbecks have done some very bad things.
As she continues visiting the family, their strange traditions are revealed to her. The games that they play traditionally involve darkness and fear. Can Harriet find out the truth about the mysterious Holbecks?
The Verdict
Catherine Steadman outdoes herself in The Family Game. She creates such a mysterious family in the Holbecks and their dynamics are intriguing. Readers will follow Harry as she tries to determine the truth about Robert’s misdoings. The cast of family characters are a wonder to watch. We’ve all always wondered what the extremely rich live like. Harry shows us their virtues and misdeeds.
The novel really remarks on the power of wealth and the wealthy’s ability to commit audacious crimes and pay for them to go away. Robert, as the patriarch of the family, is a prime example of such. As Harry begins to discover that Robert may be confessing to a series of murders on the cassette tape, she must decide how to proceed. She knows that the power that Robert holds cannot be taken lightly.
As Harry navigates potentially deadly Christmas traditions, she races for the truth, unable to forget once she finds it. Harry is such a compelling character – a developing mother willing to risk life and limb to protect her unborn baby. Harry is brave and unapologetic and is a true testament on how to write a female main character.
It was very difficult for me to decide between 4 and 5 Cthulus, so we will call it 4.5. This is a novel I highly recommend thriller lovers check out.
(4.5 / 5)
