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Although it’s a commercially proven genre, horror doesn’t always get much respect. Still, some of the earliest films were horror. For example, J. Searle Dawley’s version of Frankenstein was released in 1910, and produced by Thomas Edison himself. Who was Thomas Edison? Well, if you haven’t heard of him, you should probably dust off your own grade school textbooks!

Edison is often considered America’s greatest inventor. While some reasonably believe he hogged credit for things, that’s not what we’re interested in here. At the very least, we know Edison slapped his name on a bunch of stuff and largely got away with it (Marvel’s Stan lee is sometimes accused of hogging credit for things, too).

One overlooked aspect of Edison is that he must have liked horror, and filming horrific things. Before the 1910 Frankenstein film, his company produced a very short film in 1895 called The Execution of Mary Stuart. The plot? It’s simply a visual depiction of the execution of Mary, Queen of Scots! Horror doesn’t get much more basic than that. The execution was fake, but is considered the first use of special effects on film.

In 1903, Edison’s company famously (and somewhat notoriously) filmed an actual execution of an elephant named Topsy, who apparently had killed someone. The film Electrocuting an Elephant was born. It’s not a totally unknown short film. In fact, the cartoon Bob’s Burgers dedicates much of an episode’s plot to it. Still, it’s some people may have missed that episode. It’s also debatable to what extent one should condemn Edison’s company for this. He could be considered a mere documentarian, after all.

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Was Thomas Edison Just Into Shock?

Thomas Edison had at least a few bright ideas (and please don’t hate me for going with that painfully obvious joke).

The short answer would be “No,” because Edison’s company made non-horror films, too. Still, he didn’t shy away from titillation. In fact, a filmmaker associated with Thomas Edison was shocking, too. I’m talking about Edison Studios cameraman Edwin S. Porter’s The Great Train Robbery. Though it was made in 1903, The Great Train Robbery shows such things as a man being beaten to death with a brick, and a final shot of a bandit (played by Justus D. Barnes) firing a gun point blank at the audience. Also, Barnes looks cool as hell doing so!

In short, Edison and his people were definitely early innovators in shock cinema. Sure, there are some uncomfortable things about him, like that elephant film, and the fact his favorite movie was The Birth of a Nation (always an embarrassing thing to read about). However, credit must be given where it’s due.

Edison’s Electric Frankenstein

While these short films may have lacked some qualities, they were a sign of what was to come in horror. The 1910 Frankenstein actually has a pretty freaky transformation sequence, where Dr. Frankenstein animates his monster. At the same time, the story tries to have heart. In fact, the plot description in Edison’s Kinetogram says “Edison Co. has carefully tried to eliminate all actual repulsive situations and to concentrate its endeavors upon the mystic and psychological problems that are to be found in this weird tale.” Nevertheless, this is a surprisingly freaky version of the story, especially for its scant 14 minute running time!

This suggests that, at least some people at “Edison Co.” wanted to balance the shock with an appeal to wider audience. This, of course, is a problem faced by many aspiring horror filmmakers. Should they just go for it and depict truly appaling things on screen, or should they play it safe and appease polite society? In any case, Thomas Edison’s productions made their decisions, and they were products of their time.

On that note, the 1910 Frankenstein was actually believed to be a lost film until the 1970s, when it was revealed by Alois F. Dettlaff, a film collector from Wisconsin. Weird, isn’t it? One of the earliest known horror films might have been perpetually lost, were it not for that one Wisconsinite! What if he chose to just leave it in an attic, or lost it in a fire?

What are your thoughts on Thomas Edison, the 1910 Frankenstein and/or poor Topsy? Let us know in the comments!

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Editorial

Rock the Vote for Real

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Star spangled costume identity portrait of myself - Rock the Vote
Star spangled costume identity portrait of myself

If you live in the United States, it’s time to rock the vote for real. I shared this video before in conjunction with my identity-based costume work, and I feel it’s important to revisit now, with the election coming up in just a few days. Besides which, Jack Black and Tenacious D are brilliant and given the current political climate, who doesn’t want to do the time warp? But seriously, get out and rock the vote, your life kinda does depend on it (at least insomuch as being able to make for yourself the life that you want, without the government telling you how to do so – especially if you live on the fringes of socially acceptable awkwardness like me and so many of my friends).

tenacious d rock-y the vote

Besides which, this video is so good, it’s worth sharing again anyway. And again, if for some reason the video doesn’t load, you can find it here.

Tow Away Zone photograph of sign and flag as found by Jennifer Weigel
Tow Away Zone photograph of sign and flag as found by Jennifer Weigel
Tow Away Zone photograph in flag form
Tow Away Zone photograph in flag form

Art Attack

And here are some artworks I made awhile back as political commentary. The photograph was shot of the scene exactly as found, of a sign above a parking lot in a quickly gentrifying neighborhood making sure all knew that any unauthorized vehicles were unwelcome, and hung right in front of a flag that was tattered and torn from being caught on the chain link fence driving the point home. The flags were meant to be interactive, with gallerygoers waving them while singing The Star Spangled Banner in its elitist entirety. The whole really spoke to me regarding some of the political climate at the time (this was right before Trump was elected President the first time). How much has changed since then? In some ways, a lot. In other ways, I guess we shall see.

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Joe Bob Briggs Creepy Christmas spooktacular: The Last Drive-In Special Charity phenomena

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Famed horror host, Pulitzer Prize nominated, and Cracker Barrel aficionado Joe Bob Briggs is back in action, ready to bring some macabre merriment to your holiday season with Joe Bob’s Creepy Christmas. It also gives us horror fans something to take into the new year, be that something Darcy’s panties (sorry, box, I tried) or just the intangible good feels of hanging with friends and supporting a lot of good causes.

The Return of Joe Bob Briggs’s Christmas Special

The Joe Bob Briggs’s Christmas event is akin to a Jerry Lewis telethon for Gen X, with a twist of ‘the last drive-in with Joe Bob Briggs’. This ‘Briggs’ auction of sorts is a nostalgic nod to the past, especially for those who remember the telethons. The dread, however, has shifted from the … well… whatever Jerry was supposed to do (see Sam Kinison’s bit on this for more info) to that of evil goodies.

Without a doubt, this Joe Bob Briggs special is the event we eagerly anticipate each year. It’s a tradition, and a worthy one at that. We hope to see everyone on the interwebs, joining the ‘creepy links’ and engaging in the conversation (We’ll be on Threads and Twitter….tag us as you wish!) ‘live’ the only way anyone should ever watch a tv show (oh, and I guess on demand, but ya weirdos will never know the sting of the Iron Mutant Award!). ‘Live’ is the only way anyone should ever watch a TV show, especially ‘the last drive-in with Joe Bob Briggs’ (as it’s far too hard to watch tv whilst dead).

Joe Bob’s Creepy Christmas The ‘Last Drive-In with Joe Bob Briggs and Darcy the Mail Girl’ special will hit the airwaves live on Shudder TV and AMC+ TV on Friday, December 15th at 9 p.m. ET. Fans of ‘the last drive-in with Joe Bob Briggs’ can also catch the special on-demand starting Sunday, December 17th.

A Creepy Christmas with a Cause

In its fourth year, the holiday tradition of The Last Drive-In goes beyond mere entertainment. It aims to use the platform to raise funds for four vital causes. The charity auction will feature unique props and exclusive merchandise from The Last Drive-In and memorabilia from Briggs’ illustrious 35-year career…including some of his unspoken work as John Bloom. I say Unspoken, because if anyone remembers the first Christmas Special, the autographed copy of Eccentric Orbits was featured (sincerely, a good book–check it out if you haven’t. Jim gives it 4.5/5)

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The supported charities for Joe Bob’s Creepy Christmas will include:

The Mystery of the Joe Bob Briggs’s Creepy Christmas Special

The anticipation for Joe Bob’s Creepy Christmas is high, with fans wildly speculating what films will be featured. Personally, nothing can beat the #1 top horror Christmas film of all time, the Easter classic: Passion of the Christ (if a snuff film about a guy who doesn’t fit in getting whipped and nailed up doesn’t scream horror story, I don’t know what does. Also: See Sam Kinison’s concept on crosses and resurrection). However, a Christmas movie I really want to see up on this is Hogzilla and Kiss Save Santa Clause! BOOMMM!! Christmas Won!

As we eagerly wait for December 15th, we wonder what surprises our favorite horror host, Joe Bob Briggs, has in store this time. Will there be exclusive ‘merch’ that Jim will buy and then accidentally put in a Toys for Tots box in the mall?

Join the Fun, Join the Cause, Join the Joe Bob Briggs Christmas event!

Are you ready to dive into the world of Joe Bob’s Creepy Christmas? Do you dare to watch along and help raise money for a good cause? If so, join us at HauntedMTL on Threads (_HauntedMTL_) and maybe Twitter (@HauntedMTL) as we experience the thrill and chills that only Joe Bob Briggs and Darcy can deliver.

Remember, this is not just about indulging in some good old horror fun with ‘Joe Bob’s’ double feature. It’s about giving back and making a difference. So, let’s gear up to have a creepy Christmas with ‘Joe Bob Briggs’, filled with ‘christmas horror films’, ‘christmas demons’, ‘christmas slasher films’, ‘ho-ho-horror’, ‘yuletide horror’ and insightful ‘horror commentary’.Joe Bob’s Creepy Christmas and make this holiday season memorable for all the right reasons! I’m sure Fright Rags will have another stellar set this year, too. They are perfect for the horror fan in your life (even if that fan is you!). I can’t wait to see what they have in store (no pun).

SPECIAL — IF YOU WANT Freeeeeeeee (as supplies last) Fright Rags Joe Bob Briggs merch for this year, just tweet/thread at us during the event and Jim will pick the one that makes him chuckle the most (you will need to give us your address and size in DMs)

No subscription to watch Joe Bob Briggs’s Creepy Christmas yet? No problem! Check the link below:

AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and originals is available on most streaming devices in the US, Canada, the UK, Ireland, Australia and New Zealand. For a 7-day, risk-free trial, visit Joe Bob at www.shudder.com.

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#ChadGetsTheAxe Coming Out September 1st

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Look, I’m a simple guy. Sure, I like my Small Town Monsters and my silly-billy movies about cats eating people.

But sometimes there comes a film that’s smartly written, full of humor and social commentary, plus great acting. Oh, and scares that actually scare the shit out of me.

Almost a year to the date, I got to watch such a film called #CHADGETSTHEAXE that I saw as a screener for FilmQuest Fest in October, 2022. And I was blown away by the talents of director/co-writer Travis Bible and co-writer/producer Kemerton Hargrove; starring Spencer Harrison Levin (Black Jesus), Michael Bonini (New Amsterdam), Taneisha Figueroa (Duck World), Cameron Vitosh (Walker), Brandon Doyle (Murder Made Me Famous), and Shun Hagins (Snitch).

Mini-Review, I swear it’s short:

And, I know, I know, I know. ‘But Brannyyyyk, isn’t livestreaming horror movies just a flash in the pan? Hasn’t it been done beforeeee?’ For one, stop saying it like that, it’s weird. For two, not like this. The care and attention that went into #CHADGETSTHEAXE is wickedly clever with such tongue-in-cheek humor of influencers, humanity, and the toxic culture of fandom. It’s the shining example of live-streaming movies because it’s so f-ing smart.

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Case in point, the characters are living up to their personas. However, even when the personas are ragged and driven to the edge of life and death, we never see them as people, fully dimensional people, because we never see them break away from their devices. There’s never a shot that shows us ‘hey, this is a film, now let’s see them as the real character they are’. The actors are really carrying dual roles as the personas and the real people underneath; as they are struggling to keep up appearances in front of the millions of viewers.

Plus, don’t get me started on the characters within the livestream feed, along with running jokes and clues to the haunted house.

Anyway, I don’t want to give too much away as I’m going to be covering it on Streamin’ Demons soon. But I wanted to also tease about the fact that I’m going to be interviewing some VIPs from the movie for What’s Kraken? So, shhh, only tell your closest friends because it’s going to be incredible.

It has the characters taking selfies in front of an axe killer

Join the Hype Train:

Adapted from an award-winning short with the same title, #ChadGetsTheAxe follows four social media influencers as they live-stream their trip to Devil’s Manor, former home to a Satanic Cult. Things don’t go well. And as the violence ramps up… so do the views.

The film premiered at FilmQuest in October 2022 and Internationally at FrightFest Glasgow in March 2023 where it was well received by critics. #ChadGetsTheAxe was produced by Travis Bible, Eric Gibson, Kemerton Hargrove, and Frances O’Hanlon, while Dream Big Group serves as executive producers.

The Horror Collective is the genre label of Entertainment Squad — a production and distribution company founded by veteran producer Shaked Berenson (TURBO KID, TALES OF HALLOWEEN). The label’s latest releases include the Daytime Emmy nominated Limited Series DOOMSDAY, the killer-pants Shudder Original SLAXX, and the critically acclaimed horror-comedy SUMMONING SYLVIA.

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Website: https://thehorrorcollective.com/

I’m hoping it gets DVD distribution one day because I’m old and I need DVDs for when the zombie apocalypse happens.

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