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Week six of Halloween fun continues with Shudder‘s 61 Days of Halloween.

What surprises were in store for us this time and how do they stack up? Well, rather than the usual seven films, we got a double-feature treat. So we are ranking eight movies this time around.

#8 – The Old Dark House

Not the best of the Universal Studios pre-code films, The Old Dark House is still a fun glimpse at an earlier era. The film follows a group of strangers who take shelter in an old, dark house during a flood. The film’s top billing goes to Boris Karloff, credited merely as KARLOFF, but the real stand out performance comes from Melvyn Douglas, playing a real roustabout and raconteur.

The film is more of a comedy than a straight horror film, but a lot of that humor fails to lick outside of the 1930s. Despite this, the film does play with some tropes of the then-burgeoning genre.

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https://twitter.com/hpkomic/status/1319708202334781442

#7 – Satan’s Slaves

Satan’s Slaves is a modern remake-prequel of a 1980s Indonesian classic. Part of the Saturday night double-feature, this was the first Joko Anwar movie shown. The film follows a poverty-stricken family that is rocked by the death of their matriarch after caring for her for years. However, her death reveals a dark secret about the family and the larger world.

The movie is fine. It feels more style over substance, perhaps from it being locked into an existing story. Visually it’s quite impressive, but between this and Anwar’s Impetigore, the latter is superior.

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#6 – The Monster Club

The Monster Club is a goofy anthology film adapting several stories by R. Chetwynd-Hayes. The film is largely known for Vincent Price, a goofy burlesque scene involving a skeleton, and a pretty fun soundtrack. Price’s vampire, Eramus, gets a blood donation from a fictionalized version of R. Chetwind-Hayes, played by the legendary John Carradine. The two then find themselves in a club for monsters, watching acts between stories about the monster world.

Only one of the segments feels memorable at all, honestly, and that is just for the ending. Otherwise this is a fairly forgettable movie outside of a few bright spots. The surprisingly punk-adjacent soundtrack is a lot of fun.

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#5 – Patrick

Patrick is an Australian oddity that is a lot more fun than I expected it to be. Directed by Richard Franklin, the movie came with the first wave of Ozsploitation movies that swept the late 1970s and early 1980s. The movie follows a nurse, estranged from her husband, who takes a job at a hospital, ultimately caring for a comatose patient named Patrick. Patrick may not be as comatose as everyone thinks and his penchant for murder may be just as active.

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It is an oddly mean-spirited little movie and a scene involving a frog feels particularly alarming, yet the people who should die ultimately don’t. Still, though, the lasting legacy of Patrick is less the movie and the fact it was a step towards Psycho II (directed by Richard Franklin) and inspired a moment in Quentin Tarantino’s Kill Bill.

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#4 – The Masque of the Red Death

Hoo boy, The Masque of the Red Death is a timely choice given everything going on in our world right now. This Roger Corman adaptation of the Edgar Alan Poe short story (with a bit of Hop-Frog thrown in) stars who else, but Vincent Price. The movie follows a party of the Satanic elite among the backdrop of a plague ravaging the countryside.

The movie is a fairly subdued Corman film, probably him at his best. There is plenty of cleavage to be had, of course, as his love of breasts is on full display. What is most interesting is how sexy the film is, particularly Vincent Price as the Satan-worshipping prince of the kingdom hosting the masque (at least, according tomy wife). The upside-down crucifix brand on the right breast of his concubine is also very stimulating.

Though perhaps not a great adaptation of Poe in substance, The Masque of the Red Death is still a treat.

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#3 – Blood Quantum

I won’t dive far into Blood Quantum here, instead, I urge you to read my previously published review. The film still holds up well on my third viewing, for what it is worth. The movie follows a zombie outbreak in the 1980s on First Peoples’ land in Canada and makes for a unique spin on the zombie formula.

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#2 – Impetigore

Impetigore struck me as the better of the Joko Anwar films in the double feature. It felt less beholden to existing in the confines of established work and let Anwar showcase a lot of fun horror, far more than Satan’s Slaves. The film follows a young woman who, after nearly getting killed, returns to her family’s ancestral village for answers, only to learn something truly horrific is going on.

The movie is very good and very creepy. What I found particularly interesting is that while it shied away from outright gore, the horror of implication was on full display and some gruesome, gruesome things happen in the story. Tara Basro, who seems to be Anwar’s good luck charm based on the number of collaborations they’ve done, puts in a very strong performance as Maya, the protagonist.

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#1 – The Mortuary Collection

My selection for the best film of week six, The Mortuary Collection, I believe has the potential to start a franchise. This is an anthology title (again, another anthology…) that not only sticks the landing with most (if not all the short stories) but also has a solid narrative device that links them. The film follows a young woman who applies for a job at a mortuary in the town of Raven’s End, but we soon see the not everything is as it seems, even given the unusual appearance of the mortician.

The whole film is very stylish and I think there is a lot more that can be done with the community of Raven’s End. The film also spans several decades in its storytelling, starting with the 50s, telling a tale in the 1960s and 1970s, and framing the stories in the 1980s. Honestly, this might be one of the best anthology films on Shudder, maybe even up there with Scare Package.

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So, what is on the agenda for the final two weeks of the 61 Days of Halloween? Shudder was kind enough to share the schedule on Twitter.

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David Davis is a writer, cartoonist, and educator in Southern California with an M.A. in literature and writing studies.

Editorial

Rock the Vote for Real

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Star spangled costume identity portrait of myself - Rock the Vote
Star spangled costume identity portrait of myself

If you live in the United States, it’s time to rock the vote for real. I shared this video before in conjunction with my identity-based costume work, and I feel it’s important to revisit now, with the election coming up in just a few days. Besides which, Jack Black and Tenacious D are brilliant and given the current political climate, who doesn’t want to do the time warp? But seriously, get out and rock the vote, your life kinda does depend on it (at least insomuch as being able to make for yourself the life that you want, without the government telling you how to do so – especially if you live on the fringes of socially acceptable awkwardness like me and so many of my friends).

tenacious d rock-y the vote

Besides which, this video is so good, it’s worth sharing again anyway. And again, if for some reason the video doesn’t load, you can find it here.

Tow Away Zone photograph of sign and flag as found by Jennifer Weigel
Tow Away Zone photograph of sign and flag as found by Jennifer Weigel
Tow Away Zone photograph in flag form
Tow Away Zone photograph in flag form

Art Attack

And here are some artworks I made awhile back as political commentary. The photograph was shot of the scene exactly as found, of a sign above a parking lot in a quickly gentrifying neighborhood making sure all knew that any unauthorized vehicles were unwelcome, and hung right in front of a flag that was tattered and torn from being caught on the chain link fence driving the point home. The flags were meant to be interactive, with gallerygoers waving them while singing The Star Spangled Banner in its elitist entirety. The whole really spoke to me regarding some of the political climate at the time (this was right before Trump was elected President the first time). How much has changed since then? In some ways, a lot. In other ways, I guess we shall see.

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Editorial

Crashin’ in Roswell NM: Road Trippin’ with Jennifer Weigel

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So on my recent road trip to Miami AZ USA for my menstruation art installation, we decided to detour to Roswell NM en route home. To be honest, this was one of the best decisions of my life, up there with road trippin’ from Arizona to San Francisco along CA-Highway 1, and I will go into the details of why here soon.

Some of the signs: Roswell NM including city limits, UFO Museum and stickered parking sign, and Restricted Area from inside the museum
Some of the signs: Roswell NM

Roswell NM USA has totally embraced its alien history of the UFO crash in the late 1940s and subsequent government cover up. The whole town is alien-happy with beautiful hand carved wood totems, murals and statues everywhere celebrating otherworldly denizens of all types, though predominantly the gray aliens of the crash (and their green counterparts). Even the city logo features a flying saucer as the center of the letter “R”. It really is kind of incredible.

Alien crash site photo opportunity at UFO Museum
Alien crash site photo opportunity

One of the biggest draws is the International UFO Museum and Research Center, housed in the wonderful old theater building. This museum details the crash history as well as celebrating aliens in movies and media and examining newer alien sightings and abductions. It is very thorough and includes maquettes, statues, written accounts and an extensive research library, as well as an interesting art collection of various items.

Alien landing at UFO Museum
Alien landing

And there are TONS of fun alien themed curiosity shops. I will give a shout out to the newer Invasion Station north on Main Street where there had once been an old car dealership. I love the quirky nature of this particular store as well as their strong desire to promote local artists. Most of their wares are hand-painted in NM and feature designs by prominent local artists including one of the lead muralists in town (I bought a magnet of his). They also feature really alternative kitsch like KISS and Ace Frehley alien bobbleheads, marijuana and anal references, and such. All in all, our own Haunted MTL’s kinda folks…

Portrait of the writer at the Roswell Visitor Center (Yes even they have aliens!)
Portrait at Roswell Visitor Center

And the city is a huge tourist draw internationally, so you can meet some amazing and interesting folks from all walks of life who have caught the alien bug or at least want to check out all the hype. As a result of the tourism, the residents seem really laid back and accommodating (kind of like Hawaii but not quite as much) and there is a thriving art scene. And it’s totally my kind of art – weird and a little creepy. Anyway, I feel like I’ve finally found my peeps and am eager to return someday.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

If you’re feeling a bit extraterrestrial, I invite you to also check out some of my alien-themed stories here on Haunted MTL: LTD UFOs among us; my Drive-By short story; and LTD Abducted.

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Breaking News

American Horror Story Season 12, Delicate

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Killer Queens, I wasn’t expecting to be back so soon with American Horror Story info. But yesterday we were blessed with a teaser for the intro of Season 12, which we believe will be titled Delicate. 

A still from American Horror Story Delicate first promo.

We are looking at a Summer release for season twelve, but won’t know for sure until June, according to The Hollywood Reporter. Here’s what we know right now. 

First, yes Kim Kardashian is starring alongside Emma Roberts in a role that was written specifically for her. 

That’s the bad news. The good news is that AHS favorites will also be involved. According to IMBD, Charlie Carver, Rebecca Dayan, Cody Fern, Leslie Grossman, Billie Lourd, and Denis O’Hare will be included this season.

AHS Delicate is different from other seasons in many other ways. It’s the first season to ever be written by just one writer, Halley Feiffer. This isn’t a writer most of us as horror fans will be familiar with. She’s written episodes of shows like Kidding, SMILF, and American Crime Story. The last one can at least be seen as a sister show to AHS. 

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As far as I have found, Feiffer has never written horror content. She is now the sole writer for an entire season of the most popular horror show in America. I’m not saying this is a bad thing. It’s just not what I would have expected. Most AHS writers are staff writers, actors from the show, or at least people I’ve heard of. So as we don’t have any former work to look at, we can only wait to see how she does. 

We also know what the source material is for this season. It’s a book called Delicate Condition, by Danielle Valentine. This book will be released in August of this year. Which also seemed strange to me. Normally a book would be, you know, published before it inspires additional work.

Even so, Delicate Condition seems like a fascinating story. According to Goodreads, it’s the story of a woman named Anna. Anna is trying to get pregnant but starts to believe that something dark is working against her. Her doctors don’t believe her. Her husband doesn’t believe her. Is she losing her mind?

I’d be lying if I said I wasn’t deeply interested in this book. And I have to assume that Feiffer and Murphy already have hands on it, to jump to this sort of decision.

By the way, Valentine at least is not an untested writer. Her first novel, How To Survive Your Murder, also made it right on my TBR pile. With a rating of 3.7 out of 4 on Goodreads, I think we can assume Valentine knows what she’s doing with the written word.

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This is all that we know about American Horror Story Delicate so far. What follows are my thoughts and opinions only.

My first thought is that this season is going to be dealing heavily with women’s reproductive rights. This is a topic a lot of us are concerned about right now, as it feels like every day women lose more and more rights to our bodies.

(By the way, if you want to help fight the good fight for body autonomy and get some spooky stories, we have an anthology for that. I have a story in it, as does the horrifyingly talented Jennifer Weigel. All proceeds go to support organizations that help women make their own health decisions.) 

American Horror Story has handled important political issues before. Last season, AHS NYC discussed the AIDs epidemic that went largely ignored in the 80s and killed hundreds of young gay men. They did this in the best way possible, in what this critic believes to be the only way fiction should handle heavy topics. They rooted the issue in a good story. A story that was pure fiction, but also true.

However, this season has a lot of red flags. Never before have I seen the guest star be the main focus so early. Never have I seen any franchise bank so much faith in an all but untested writer, basing work on a book that isn’t even published. And frankly, I’ve never been much of a fan of Kim K, or anyone else who’s famous seemingly just for being famous.

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I’m not rooting for this season to fail just because I don’t like the guest star. If Kardashian is good at this, I’ll be thrilled. I’ll be the first one singing her praises. But when everything we know so far is added up, I’m a lot more concerned about AHS Delicate than I am excited. 

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