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Welcome back. Last week I took some time to outline the first episode of a Friday the 13th reboot miniseries. The whole thing sprung up after re-watching the series and deciding that I wanted to develop a story that felt more cohesive.

Where we last left off, we discovered that there have been yearly murders in a county around the Crystal Lake area for a couple of decades. With the attempt to re-open Camp Crystal Lake as a sort of upper-class escape for kids, Pamela Voorhees, mother of a child who went missing at the camp back in the 1980s, has been protesting the decision to reopen the campgrounds.

Also, she used black magic to bring her son back to life, who she has had chained up in a basement for twenty years, what with him coming back “wrong” and all.

Chapter Two: The Woman in the Woods

We begin with a cold open in the 1990s. Pamela is enjoying herself in a bar and decides to take a handsome stranger home to her cabin in the woods. She is in the middle of loving him in a biblical sense when he is alarmed by sounds below the floor. He asks if she has a kid. She tells him to ignore it and they get back to lovemaking. Suddenly, an enraged teenage Jason bursts into the room and rips the man from Pamela and beats him to death. Jason shudders on the floor, almost orgasmic, with his fists caked in blood. Pamela scolds him but then goes to comfort her son. We do not see his face yet.

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“It’s okay,” she tells him, “nothing will come between us.”

Back in the present, Alice has gone to the Sheriff’s office to ask about the incident at the camp back in the 1980s. Sheriff Savini tells her to stop stirring up trouble but reluctantly grants her access when she mentions seeing that Ms. Voorhees was in the camp records back then. He’s had trouble with her for years, now.

Meanwhile, the final day of preparation is at an end at the camp. The counselors are having a barbecue but it is interrupted by an aggravated Pamela Voorhees. She has come to the camp with a machete and begins hacking away at buildings, ropes, and tries to slice open the canoes. She demands the camp be closed. Several counselors try to restrain her and she manages to slice one of them deeply along the arm.

They finally manage to pin her down, but in a moment of distraction she kicks one of the counselors in the groin and darts off into the woods, leaving behind her machete.

Alice and Sheriff Savini are combing through records as Alice suggests that Pamela might have more information on the 1980s massacre. They are interrupted by a deputy who informs them that crazy ol’ Pamela was at the camp and sliced up a kid while trying to wreck the place. Sheriff Savini tells his deputy, Deputy Cunningham, to do a welfare check on Ms. Voorhees at her cabin. Cunningham, clearly concerned, asks if he can have some backup. Savini sends Deputy Hodder along as well. They bring tasers in case she proves to be too much of a handful.

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Alice suggests she and Savini head to the camp to retrace the path of destruction within the camp in the 1980s. Specifically, she wants to see if anything might have been overlooked. Savini agrees, albeit reluctantly, as he needs to head to the camp anyway to take statements about the most recent incident.

Cunningham and Hodder pull off the side of the road and step out as the drive up to the Voorhees cabin has not been kept up. The two discuss stories they’ve heard about the reclusive woman. When they finally arrive at the cabin they notice the door is open. They are being watched. They attempt to establish contact with her but fearing the worst and having probable cause, they enter.

Inside they see the place reflects Pamela’s shattered mental state. Everything is dirty and foul, with the exception of a small child’s bedroom, which has been kept immaculately clean. Caught off guard, a massive figure grabs Hodder and smashes his face against the stone fireplace. Cunningham tasers the giant man, who falls to his knees and looks up at him, roaring. We see Jason’s deformed face. Jason begins to rise, shaking off the taser, but Cunningham pulls his gun and shoots Jason in the knee, bringing him down again.

Cunningham steadies his aim to kill Jason when he is bashed in the back of the head by a rock. He falls to the ground, twitching, as Pamela stands over him. She scolds Jason for getting loose as he whimpers. She comforts him again, just as she did in the flashback, and dips her fingers into the pool of blood pooling around Cunningham’s head.

She takes her bloodied fingers and rubs the bullet wound in Jason’s leg. He whimpers, again, very childlike, and we see the wound begin to bubble and heal, albeit in the form ghastly pustules and tumors. She leads her boy back down to the basement and chains him up again.

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Having taken statements and it being so late, Savini suggests the survey of the area can wait until after he checks on Ms. Voorhees. Alice, annoyed, has no choice but to agree and instead retires to the faculty bunks to do some studying of the records again.

On her way back she runs across Mr. Eddie Jarvis who is wishing his son, Tommy, off. Tommy won’t be staying at the camp. He’ll be heading home with his mom, Trish. Eddie is the head counselor and asks Alice if she’s excited to see the kids tomorrow. She wonders if the camp will be safe, especially given what happened earlier that evening. Eddie reassures her that Camp Crystal Lake is entirely safe.

We return to Pamela’s cabin. In a frenzy of activity, she begins gathering weapons. In the basement, Jason darts his head back and forth as he hears his mother scuffing the floor above him. We cut back to Pamela tripping over Hodder’s body and kicking it in anger. Blood pooled below the officer falls between the cracks in the floorboards and splashes on the dusty floor in front of Jason. He wipes up the dust and blood with his muscular fingers and brings it to his lips.

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David Davis is a writer, cartoonist, and educator in Southern California with an M.A. in literature and writing studies.

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1 Comment

1 Comment

  1. Exx Vxx

    April 21, 2020 at 2:15 pm

    It really ramps up in the 2nd episode. Did you name the sheriff’s in the firs episode? Or am I just noticing their names now? lol I love the visuals in this.

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Breaking News

A horror author goes to Nebula Con

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The Science Fiction, Fantasy Writers Association is one of the most prestigious organizations in America for speculative fiction writers. While horror is not specifically mentioned, we all know that it’s nearly impossible to discuss fantasy and science fiction without the shadow of horror creeping in. 

Each year, SFWA hosts a convention for writers called Nebula Con. I have virtually attended the convention for the past two years. And if you’ve never attended, you might want to consider it. Even if your writing, like mine, is long in the shadows and short on the elves.

First off, I do want to be clear that Nebula Con is a convention for speculative fiction writers. There are some fan panels, like the one on the works of Robin McKinley, this year’s Grandmaster. But the majority of the panels and events are for writers. 

That being said, there are panels for writers at every stage of their careers. 

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For writers interested in crafting better stories, craft panels abound. My favorite panel was the one titled For The Love of Short Fiction. This panel started with a reading of some of the best short works from 2022. Then, each panelist dug into what made that piece work for them.

Clip from Nebula Con, 2023

There were several other terrific panels, including one all about constructing a realistic legal system in your fictional world and writing fictional podcasts. (Like I do.)

But, you might say, these are panels for sci-fi and fantasy writers. No, these are panels for speculative fiction writers. Horror authors who want to have any kind of career would do well to master the short story. And if you don’t think there’s room for some legal horror in the market, you are wrong. 

While the craft panels were wonderful, the career and marketing panels were probably the most useful and valuable of the whole convention. Are you, like many other online creatives, worried about the effects AI-generated writing is going to have on our field? There were two informative panels regarding that. Are you wondering how writers’ relationships with agents have changed now that self-publishing is so prevalent? There’s a panel for that.

A lot is going on in the publishing world. It’s confusing as hell, my friends. And one of the ways we keep each other up to date is with conventions like this. What I got out of the panel most was that having a career in writing is possible. My fellow participants and I learned from writers who are doing the thing. It’s hard, but it’s possible.

Of course, a convention is more than just panels. There’s the chance to meet with other authors. This might be where a virtual convention seems to have a deficit. And while I’ll admit that meeting online isn’t the same as meeting in person, there are certainly perks. I was able to meet, chat with and share stories with other writers in a Zoom chat room. And I came away feeling much like I did as a kid, having met new friends at summer camp. Even if I wasn’t sitting across from them, it was great to be surrounded by other people who want to make a living scaring the hell out of other people. 

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All of this writing joy culminates with the Nebula Awards Ceremony. If you’re interested in catching the awards but didn’t make it to the convention this year, you can watch it all on Youtube. Each year speculative fiction authors of all kinds of honored, from written work to gaming to television. This year’s toastmaster was Cheryl Platz, an author, and actress. As a critic, awards ceremonies are usually something I usually force my way through. The Nebula Awards are a rare treat in that scene. Partially because there’s a chance I’ve met the people up for the awards. But also because the people involved are, first and foremost, writers. It’s amazing how much more entertaining events are when the people being honored are, you know, talented storytellers.

If you’ve been on the fence about attending Nebula Con virtually, I suggest giving it a try. The world certainly needs more stories that go bump in the night. 

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Editorial

Crashin’ in Roswell NM: Road Trippin’ with Jennifer Weigel

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So on my recent road trip to Miami AZ USA for my menstruation art installation, we decided to detour to Roswell NM en route home. To be honest, this was one of the best decisions of my life, up there with road trippin’ from Arizona to San Francisco along CA-Highway 1, and I will go into the details of why here soon.

Some of the signs: Roswell NM including city limits, UFO Museum and stickered parking sign, and Restricted Area from inside the museum
Some of the signs: Roswell NM

Roswell NM USA has totally embraced its alien history of the UFO crash in the late 1940s and subsequent government cover up. The whole town is alien-happy with beautiful hand carved wood totems, murals and statues everywhere celebrating otherworldly denizens of all types, though predominantly the gray aliens of the crash (and their green counterparts). Even the city logo features a flying saucer as the center of the letter “R”. It really is kind of incredible.

Alien crash site photo opportunity at UFO Museum
Alien crash site photo opportunity

One of the biggest draws is the International UFO Museum and Research Center, housed in the wonderful old theater building. This museum details the crash history as well as celebrating aliens in movies and media and examining newer alien sightings and abductions. It is very thorough and includes maquettes, statues, written accounts and an extensive research library, as well as an interesting art collection of various items.

Alien landing at UFO Museum
Alien landing

And there are TONS of fun alien themed curiosity shops. I will give a shout out to the newer Invasion Station north on Main Street where there had once been an old car dealership. I love the quirky nature of this particular store as well as their strong desire to promote local artists. Most of their wares are hand-painted in NM and feature designs by prominent local artists including one of the lead muralists in town (I bought a magnet of his). They also feature really alternative kitsch like KISS and Ace Frehley alien bobbleheads, marijuana and anal references, and such. All in all, our own Haunted MTL’s kinda folks…

Portrait of the writer at the Roswell Visitor Center (Yes even they have aliens!)
Portrait at Roswell Visitor Center

And the city is a huge tourist draw internationally, so you can meet some amazing and interesting folks from all walks of life who have caught the alien bug or at least want to check out all the hype. As a result of the tourism, the residents seem really laid back and accommodating (kind of like Hawaii but not quite as much) and there is a thriving art scene. And it’s totally my kind of art – weird and a little creepy. Anyway, I feel like I’ve finally found my peeps and am eager to return someday.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

If you’re feeling a bit extraterrestrial, I invite you to also check out some of my alien-themed stories here on Haunted MTL: LTD UFOs among us; my Drive-By short story; and LTD Abducted.

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Breaking News

American Horror Story Season 12, Delicate

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Killer Queens, I wasn’t expecting to be back so soon with American Horror Story info. But yesterday we were blessed with a teaser for the intro of Season 12, which we believe will be titled Delicate. 

A still from American Horror Story Delicate first promo.

We are looking at a Summer release for season twelve, but won’t know for sure until June, according to The Hollywood Reporter. Here’s what we know right now. 

First, yes Kim Kardashian is starring alongside Emma Roberts in a role that was written specifically for her. 

That’s the bad news. The good news is that AHS favorites will also be involved. According to IMBD, Charlie Carver, Rebecca Dayan, Cody Fern, Leslie Grossman, Billie Lourd, and Denis O’Hare will be included this season.

AHS Delicate is different from other seasons in many other ways. It’s the first season to ever be written by just one writer, Halley Feiffer. This isn’t a writer most of us as horror fans will be familiar with. She’s written episodes of shows like Kidding, SMILF, and American Crime Story. The last one can at least be seen as a sister show to AHS. 

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As far as I have found, Feiffer has never written horror content. She is now the sole writer for an entire season of the most popular horror show in America. I’m not saying this is a bad thing. It’s just not what I would have expected. Most AHS writers are staff writers, actors from the show, or at least people I’ve heard of. So as we don’t have any former work to look at, we can only wait to see how she does. 

We also know what the source material is for this season. It’s a book called Delicate Condition, by Danielle Valentine. This book will be released in August of this year. Which also seemed strange to me. Normally a book would be, you know, published before it inspires additional work.

Even so, Delicate Condition seems like a fascinating story. According to Goodreads, it’s the story of a woman named Anna. Anna is trying to get pregnant but starts to believe that something dark is working against her. Her doctors don’t believe her. Her husband doesn’t believe her. Is she losing her mind?

I’d be lying if I said I wasn’t deeply interested in this book. And I have to assume that Feiffer and Murphy already have hands on it, to jump to this sort of decision.

By the way, Valentine at least is not an untested writer. Her first novel, How To Survive Your Murder, also made it right on my TBR pile. With a rating of 3.7 out of 4 on Goodreads, I think we can assume Valentine knows what she’s doing with the written word.

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This is all that we know about American Horror Story Delicate so far. What follows are my thoughts and opinions only.

My first thought is that this season is going to be dealing heavily with women’s reproductive rights. This is a topic a lot of us are concerned about right now, as it feels like every day women lose more and more rights to our bodies.

(By the way, if you want to help fight the good fight for body autonomy and get some spooky stories, we have an anthology for that. I have a story in it, as does the horrifyingly talented Jennifer Weigel. All proceeds go to support organizations that help women make their own health decisions.) 

American Horror Story has handled important political issues before. Last season, AHS NYC discussed the AIDs epidemic that went largely ignored in the 80s and killed hundreds of young gay men. They did this in the best way possible, in what this critic believes to be the only way fiction should handle heavy topics. They rooted the issue in a good story. A story that was pure fiction, but also true.

However, this season has a lot of red flags. Never before have I seen the guest star be the main focus so early. Never have I seen any franchise bank so much faith in an all but untested writer, basing work on a book that isn’t even published. And frankly, I’ve never been much of a fan of Kim K, or anyone else who’s famous seemingly just for being famous.

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I’m not rooting for this season to fail just because I don’t like the guest star. If Kardashian is good at this, I’ll be thrilled. I’ll be the first one singing her praises. But when everything we know so far is added up, I’m a lot more concerned about AHS Delicate than I am excited. 

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