I spent the day after Christmas arguing with strangers on Facebook. I spent a couple of hours grappling with a meme in my local community discussion group. The meme was such a dog whistle that I am surprised I have yet to have been mauled by a werewolf. It was a dumb meme that featured a “good ol’ boy” commenting on the idea that homeless and poor people today can check their food stamp balance on their smartphone. And yes, it had the requisite Confederate flag stamp on it.
While yes, this sounds like a horror story of someone having entirely too much time on their hands, it’s not necessarily what I want to discuss. The ensuing discussion on the comment thread hit on something for me: How has horror tackled class-division? More specifically… how has horror addressed themes of homelessness?
Class-Conscious Horror
Class-consciousness in horror is nothing new. One of the most recent and popular class-conscious horror series would be The Purge in which the elites exert control over the less affluent by creating “purge days.” As a whole, they’re not great, but they are at least trying to explore these divisions. 2008’s Repo! The Genetic Opera revolves around a megacorp that hunts down people who default on their payments on their organs. There are a lot of class-conscious horror films out there.
i09 had a list of horror films that deal with themes of class, but none of them are really hitting that spot I have been thinking about. I mean, there are some amazing films there, but not what I am quite looking for. I am specifically interested in how homelessness is explored in horror. Whether there is a movie that reflects the anxieties and traumas of having no safe space in a world that seems to hate and judge you constantly.
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The Homeless
The homeless are victims of increasing violence. The homeless population is seen by society, largely, as people not to be trusted. Evidence shows, however, that this should go both ways. Back in the mid-2010s, Japan had a rather public problem of the homeless being assaulted by Japanese youths.
Society conditions people to inherently distrust the poor and homeless. Often I was told that instead of giving money to someone who is homeless, that I should offer to buy them food… after all, they’ll probably just use the money of drugs or alcohol. It has taken a lot of reflection and growth to grow out of this conditioning on my end, but I highly doubt the majority of people do this, thus that distrust persists.
Another film, which I reviewed as part of my Drive-In recaps is Street Trash. It is not particularly flattering or sympathetic to the homeless. There are other horror films out there that feature the homeless, of course. For example, 2011’s The Tunnel, an Aussie found-footage horror film, features tunnels occupied by the homeless, but it isn’t so much about them. In my experience, if someone is homeless in a horror film, they’re most often a disposable body, an object.
Where are the homeless horror films where the terrorizing of the homeless is visible through their perspective?
Homeless Horrors
I live in an area that has many, many homeless people. I live south of Los Angeles, in a region known as the Inland Empire. While California as a whole is dealing with an increasing homeless population, so too is my county. Currently, I live across the street from a shopping center that is filled with the homeless and every couple of days I see them shuffled off by the police.
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My own feelings on homelessness are particularly strong because I have been there.
At this point, I am still very much searching for some media that tackles the pain and fear that comes with homelessness from the homeless perspective. One film I stumbled upon was a VR film titled The Killer that explores the metaphor of homelessness.
You can watch it on YouTube, naturally. It is a 360-degree experience and fairly immersive.
It’s interesting, but it doesn’t quite scratch that itch for me. The metaphor is just a bit too abstract. Closer to what I am seeking is the Korean animated zombie film Seoul Station, which I also happened to review. The film is distinctly Korean, but it does hit on some things I want to see using the lens of zombies.
It features homeless characters centrally, and it does explore how they are cast out by society. The homeless of Seoul Station are still victims, of course. Many of the homeless figures of the film die and are treated as disposable. But where Seoul Station succeeds is that many of the people who live on the streets, already having been cast out and forced to survive, have an advantage over those who have wealth and homes.
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So What the Hell am I Looking For?
To a degree, I am still trying to figure out what I want. I suppose I am waiting for a watershed moment for the poor and homeless in horror. I am waiting for that watershed moment. When will the homeless’ Get Out be released?
I have ideas – I am a writer – I can’t help but think of how I would tackle poverty horror stories when I am examining the media-landscape. But that is an entirely different topic from this one. I wanted to explore the idea of class-conscious horror and poverty horror. My admittedly informal survey tells me that, perhaps, there is a void needed to be filled, here. I believe that horror, as a genre, is a tool of social awareness. Perhaps we should use that tool to explore the plight of the homeless.
“But Brannyk,” you may be thinking, “what am I supposed to do now that I am no longer a real being? How shall I spend my days?”
Unfortunately, the government has not released a handbook for this occasion, so I thought we could brainstorm together.
BECOME A GHOST
There are some benefits to being a ghost, for sure.
No rent or insurance payment. No corporate job, no cleaning cat litter, no AT&T trying to sell you another line after repeatedly telling them that you just want to make sure that your autopayment is on, but they’re all like, ‘Why would you pass up such a bargain on a second line? Are you an idiot?Why wouldn’t you need another phone line?‘ and so you have to tell them, “Because I’M DIVORCED, ASSHOLE, THANKS FOR REMINDING ME OF THAT!”
Or, my absolute biggest pet peeve, when you’re practicing for the ghost speed chair-stacking championship and the normies just don’t appreciate your cool skills.
The cool thing is that they come in all shapes and sizes.
Monsters are generally misunderstood. Some have their fans. Others are hated.
So basically, just like people, except with more tentacles.
The only downsides are that you might be too big or too “ick” for some people (these can also be pluses), you may have a taste for human flesh (no judgement), or the biggest issue – there are too many choices.
You could get stuck trying to figure out what kind of monster you are. If you’re not into labels, it’s an absolute nightmare. Or if you’re like me, it’ll be like standing in Subway for 15 minutes trying to figure out what toppings and dressings you want while the “sandwich artist” is openly judging you.
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(4 / 5)
I like the customization, but it can be a bit too overwhelming.
BECOME A CRYPTID
Hear me out. I know it seems a lot like the monster category, but it’s not quite.
Cryptids are weird and mysterious. They keep to themselves. They have people who are fascinated by them and post on Reddit about them. Some have people making documentaries about them.
They’re like monsters’ quieter cousin who reads books in the corner at family gatherings. They collect shiny things they find by the side of the road. Sometimes they’ll steal a peanut butter sandwich or two.
Each one kinda has their own goals and priorities. Their own hangouts and interests. But unlike monsters, they’re not looking to rock any boats-
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Never mind, I stand corrected.
(5 / 5)
I like the freedoms of being a cryptid and also dig the cottage-core vibe I get from them.
CONCLUSION: LET’S BE REAL FOR A SECOND…
I know it’s hard right now. It’s going to be hard. You may not exist to some assholes, but you are real. You have real feelings and thoughts and dreams. You have a real future. You have real decisions. Real actions that affect this world.
You have the real ability to wake up tomorrow and choose to exist. And for whatever reason you choose. Use it. Ghosts and monsters and cryptids are powerful, just like you are, even when you don’t feel like it. They have a place in our human world, just like you do. You make this world interesting and important.
You are part of this world, you are real, and you are not alone.
The horror community is one of acceptance, diversity, creativity and passion. In these times, it needs to be. We need to rely on each other. We need to cultivate and protect each other, as much as we need to protect ourselves.
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And it looks like I’ll be coming out of my own cryptid hovel I’ve spent the past few years in to remind you that. My job isn’t done. Not by a longshot. And neither is yours.
If you live in the United States, it’s time to rock the vote for real. I shared this video before in conjunction with my identity-based costume work, and I feel it’s important to revisit now, with the election coming up in just a few days. Besides which, Jack Black and Tenacious D are brilliant and given the current political climate, who doesn’t want to do the time warp? But seriously, get out and rock the vote, your life kinda does depend on it (at least insomuch as being able to make for yourself the life that you want, without the government telling you how to do so – especially if you live on the fringes of socially acceptable awkwardness like me and so many of my friends).
Besides which, this video is so good, it’s worth sharing again anyway. And again, if for some reason the video doesn’t load, you can find it here.
Art Attack
And here are some artworks I made awhile back as political commentary. The photograph was shot of the scene exactly as found, of a sign above a parking lot in a quickly gentrifying neighborhood making sure all knew that any unauthorized vehicles were unwelcome, and hung right in front of a flag that was tattered and torn from being caught on the chain link fence driving the point home. The flags were meant to be interactive, with gallerygoers waving them while singing The Star Spangled Banner in its elitist entirety. The whole really spoke to me regarding some of the political climate at the time (this was right before Trump was elected President the first time). How much has changed since then? In some ways, a lot. In other ways, I guess we shall see.
So on my recent road trip to Miami AZ USA for my menstruation art installation, we decided to detour to Roswell NM en route home. To be honest, this was one of the best decisions of my life, up there with road trippin’ from Arizona to San Francisco along CA-Highway 1, and I will go into the details of why here soon.
Roswell NM USA has totally embraced its alien history of the UFO crash in the late 1940s and subsequent government cover up. The whole town is alien-happy with beautiful hand carved wood totems, murals and statues everywhere celebrating otherworldly denizens of all types, though predominantly the gray aliens of the crash (and their green counterparts). Even the city logo features a flying saucer as the center of the letter “R”. It really is kind of incredible.
One of the biggest draws is the International UFO Museum and Research Center, housed in the wonderful old theater building. This museum details the crash history as well as celebrating aliens in movies and media and examining newer alien sightings and abductions. It is very thorough and includes maquettes, statues, written accounts and an extensive research library, as well as an interesting art collection of various items.
And there are TONS of fun alien themed curiosity shops. I will give a shout out to the newer Invasion Station north on Main Street where there had once been an old car dealership. I love the quirky nature of this particular store as well as their strong desire to promote local artists. Most of their wares are hand-painted in NM and feature designs by prominent local artists including one of the lead muralists in town (I bought a magnet of his). They also feature really alternative kitsch like KISS and Ace Frehley alien bobbleheads, marijuana and anal references, and such. All in all, our own Haunted MTL’s kinda folks…
And the city is a huge tourist draw internationally, so you can meet some amazing and interesting folks from all walks of life who have caught the alien bug or at least want to check out all the hype. As a result of the tourism, the residents seem really laid back and accommodating (kind of like Hawaii but not quite as much) and there is a thriving art scene. And it’s totally my kind of art – weird and a little creepy. Anyway, I feel like I’ve finally found my peeps and am eager to return someday.
If you’re feeling a bit extraterrestrial, I invite you to also check out some of my alien-themed stories here on Haunted MTL: LTD UFOs among us; my Drive-By short story; and LTD Abducted.
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